Alfred Lunt Quotes
The secret of my success? I speak in a loud clear voice and try not to bump into the furniture.
Quotes to Explore
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To be 23 and riding the crest of a song sweeping the world country by country is to live an altered and wholly rarefied existence.
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Los Angeles is a city known as much for it's sun as for its stars and it's dirty air.
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The mystery of government is not how Washington works but how to make it stop.
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If you are at the top in entertainment, you earn money that you can never justify to ordinary people doing proper jobs. You can't.
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I am big believer that increase the size of the cake is as at least as important as distribution of the cake. To increase the size of the cake, you need to focus on progress.
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The training of younger generations is very close to my heart.
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In L.A., you constantly go on auditions, and you're usually not what they're looking for - you get used to going back and back to the same show, and nothing happens.
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My father was military, so I traveled a lot, so I had 13 to 15 first days in new schools. Bullies transcend culture, unfortunately, and I had to deal with them wherever I went. I knew how to defend myself. But I didn't know how to fight.
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My music, I feel, has always been experimental, but it had got to a point where I felt disconnected from it completely. I didn't want to be a Clark Kent/Superman: I couldn't really say, 'Well, B.o.B's the old me, and Bobby Ray's the new me.' I had to just make a point.
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An actor has to embody a role.
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Redheads were particularly persecuted during the European witch trials of the fifteenth, sixteenth and seventeenth centuries. The colour was associated with the devil, and the pale skin which most redheads have was thought unnatural and deathly.
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I didn't have any problem bonding with Honey, but I was plagued with insecurities about my ability to bring up my baby.
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While Muslim men describe themselves as insecure in their harems, real or imagined, Westerners describe themselves as self-assured heroes with no fears of women. The tragic dimension so present in Muslim harems - fear of women and male self-doubt - is missing in the Western harem.
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I worked at a local television station and I got a chance to direct and do all those things - worked kiddie shows, Ranger House show with the hand puppets and things like that.
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When Pakistan was carved out of India's rib in 1947, it was assumed by some that Bollywood's Muslim stars would defect to the new state and thus boost the Lahore film industry. But Lollywood did not happen.
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I'm so appreciative that people have begun to recognize my work in a way where it can afford me more opportunities.
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I want to see as many movies as I can and I covet a lot of weird influential movies.
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The way I like to start a new project is to take a cover song and make a stab at it, ideally one that has nothing to do with the people in the room.
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I'm a pro-horserace guy.
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There's good art and there's bad art. A lot of action films are bad art, but Paul Greengrass showed us with the Bourne films that it's possible to make an action film with a political, social conscience.
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In politics, it's more fun to win than it is to lose.
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Our dreams are made of real things, like a shoebox full of photographs.
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I suppose it hacks me off sometimes when people go on about all the other stuff, because I have really worked hard at my game, and I've been incredibly dedicated in getting myself fit, and getting my game right.
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The secret of my success? I speak in a loud clear voice and try not to bump into the furniture.
