Yuliya Snigir Quotes
Thank God, I have sort of a pan-European accent rather than Russian, which doesn't sound very pleasantly to Americans. For them, we speak with a rather rude pitch, and that might be our actors' problem there. Now I've begun working with language coaches in Los Angeles to get rid of the accent completely.
Quotes to Explore
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Bush already gave obscene tax breaks to people like me and Warren Buffet, and we are saying it's not fair.
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I feel funny about owning art. I don't really want to say: 'Wow, come and see my Monet - it's in a dark room at the bottom of my cellar.'
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I look around my house, and everything except the kids and dogs was made in China. And I'm not sure about the kids. They have brown eyes and small noses.
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I believe that leaders should inspire you to be more like them.
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I look upon another's insistence on the merits of his or her life - duties, intellect, accomplishment - and see that most of it is nonsense.
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That's what you want to do as an older artist - you want to reinvent, but there has to be that vein in there for why people were listening to you before in the first place.
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I discovered that the study of past philosophers is of little use unless our own reality enters into it. Our reality alone allows the thinker's questions to become comprehensible.
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If you want to be happy, make others happy!
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My father has a general rule. He says if I haven't done it in real life I shouldn't do it on-screen.
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I'm not a best-seller, but through translations, I've accumulated some money.
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I remember when I first met Katherine Bigelow for 'Zero Dark Thirty' – actually, we met for another movie, and that never got made, and then she called me and invited me to 'Zero Dark Thirty'.
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If we lose sight of the fact that writing is entertainment, then writing is doomed.
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The things we remember best are those better forgotten.
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Don't romanticise your 'vocation.' You can either write good sentences or you can't. There is no 'writer's lifestyle.' All that matters is what you leave on the page.
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I grew up with a tribe of amazing women, but certainly my mother and my godmother really modeled women as actors.
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When I watch myself, I see nothing but faults, like, 'This I need to do different, this I need to do different,' and so if there comes a point in time where I'm like, 'Man, this whole thing is just getting really stale,' I am not opposed to being the bad guy again.
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A team without hope fizzles: no flameout, no fire.
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Thirdly, even if we assume that the world is governed by purpose, we need only add that this purpose - or, if there are several, at least one of them - is not especially intent on preventing suffering, whether it is indifferent to suffering or actually rejoices in it.
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Drums were my first instrument, my first love. I need rhythm, something that moves.
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As someone with a deep faith in competition and the market, I also know that markets only work with tough enforcement of the rules that guarantee competition and fair play - and that the pressure to break those rules only gets stronger as the amount of money involved gets larger.
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I want to do more independent film. I'm blessed to be working on really quality episodic television, which to me actually feels like a sort of 13-hour film.
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To know that God knows everything about me and yet loves me is indeed my ultimate consolation.
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All of us can meet God's high expectations.
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Thank God, I have sort of a pan-European accent rather than Russian, which doesn't sound very pleasantly to Americans. For them, we speak with a rather rude pitch, and that might be our actors' problem there. Now I've begun working with language coaches in Los Angeles to get rid of the accent completely.
