Liev Schreiber Quotes
Quotes to Explore
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I think 'The Color of Money' was very instrumental in opening up other opportunities. People started to recognize me as an artist after that film. And then, after I did 'Bird,' it was more solidified.
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I feel like my story would've been different had I had a chance to play with Bron when I was 18. I've thought about it countless times.
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The horror genre is not my favorite. I think it's fun, there's a great place for it and I get a kick out of it, but some stuff I'm too old for. You can't just take 10 guys and stick them in a cabin and off them one at a time - I'm not vested.
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I used to conduct the last opera in Berlin on Sunday, get on a plane on Monday to Chicago, and start a rehearsal that same night, if it was a performance week.
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I had a Ford F-250. It was a big ol' farm truck, but it wasn't a rig. That's about the biggest I've ever driven. That's what I drove back and forth to high school. I was a poor guy, and it was a truck that my uncle owned and let me drive because I had no money.
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A doctor is not a mechanic. A car doesn't react with a mechanic, but a human being does.
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One always writes comedy at the moment of deepest hysteria.
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I was signed at 19 years old to a major label, and dropped by the time I was 22.
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Applause is the spur of noble minds, the end and aim of weak ones.
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I did one touring show with Horatio Sanz. We went to, I think it was Iowa State University, and we were in this field house, so people were sitting on the floor. It started out with 2,500 people in there. We delivered the most mediocre improv, and it went from a crowd of 2,500 to 250 people in the course of 45 minutes. It was grim.
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Everybody has a story... and a scream.
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The ability for consumers to receive broadcast over the air signal is their right.
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The best part about the movie, and everybody seems to rave about it, is the boot camp part.
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We should seek to cooperate with Europe, not to divide Europe to a fictitious new and a fictitious old.
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I have been five minutes too late all my life-time!
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I have many intense friendships with artists. I don't mean we have intense one-day conversations but ongoing conversations that last in some cases for years.
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I don't mind doing the green-screen stuff at all, and in fact it's a lot like black-box theater, which I did plenty of in New York.
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I like hanging around the set and learning how people do things, how the set runs.
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The primary one being, like I said, I don't like rock 'n' roll piano.
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Time is our element, not a mistaken invader.
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But – Michael, you said you didn’t know Oliver, and–” “I didn’t, until he killed me. We were never formally introduced.
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Ambiguity lurks in generality and may thus become an instrument of severity.
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If you are going to remake a film, you may as well remake a classic.
