Kygo (Kyrre Gørvell-Dahll) Quotes
When I started making my tracks in the style that people call tropical house, I didn't do it on purpose to make it sound tropical. I made whatever I felt sounded good. I just wanted to make my own thing, and then suddenly people started calling it tropical ... I'm like, 'Yeah, that's probably a good name for it.'
Quotes to Explore
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Only people have been through that miserable time will recall the pass from their deep memory.
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The only thing I'd ever wanted in my life was to be a major-league ballplayer, but I had to admit to myself that I wasn't good enough. It broke my heart.
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I think a lot of people think I'm doing kind of a character onstage, but what you're really getting is just me.
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Lots of people have objections to prizes of all types, and it would be extraordinary if everybody agreed on anything that's worthwhile - they never do.
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Voting to go on strike is not a decision working people take lightly and is always accompanied by a strong sense of injustice at work. The impact of losing a day's pay is significant, not least for those in the lowest paid jobs who are already on the tightest budgets.
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The two great aims of industrialism - replacement of people by technology and concentration of wealth into the hands of a small plutocracy - seem close to fulfillment.
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You don't have to be scared of me, because I am loyal. Why are people so scared of creative ideas and so scared of truth? All I want to do is do good.
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Collaboration is just, really, a group of people getting in a room with their eye on a very similar prize and wanting to come out with the same show. The director, ultimately, is the guy in front of whom the buck stops. So, he has to have the courage to prevail. But, he has got to have a huge amount of respect for his collaborators.
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Kabir Khan is that rare director who manages to merge Bollywood formula with a good story.
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I think by now if people hire me, they know I'm going to improvise. I'm an improviser by trade.
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As long as I can remember, growing up we had a guitar around our house, and I was always plucking on it.
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Movement should be a counter, whether in action scenes or dialogue or whatever. It counters where your eye is going. This style thing, for me it's all fitted to the action, to the script, to the characters.
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Positive social emotions like compassion and empathy are generally good for us, and we want to encourage them. But do we know how to most reliably raise children to care about the suffering of other people? I'm not sure we do.
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If your house has been on the market for more than four months, take it off the market and re-list it in two months as 'new.'
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Textbook survival tells you to stay put. Stop. Wait for rescue. Don't take any risks. But there'd been a whole host of survival shows like that and I didn't really want to do that.
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The world's greatest city - New York City - deserves a government that works for all New Yorkers. That starts with a mayor who is independent from party bosses and special interests, who isn't afraid to be honest with the people, and who is focused on the issues New Yorkers care about most.
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A lot of people are living in a dream world - they want to deny that aging occurs or believe it doesn't have to occur. They'll hold on to this belief until the moment they die. The reality will eventually hit them.
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Clothes are a kind of uniform. A nun's habit, a surgeon's scrubs, a cop's uniform. People often say that when they put on a certain uniform, they actually think of themselves differently.
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I admire many people, but I am not sure that I have any 'heroes.'
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I am a big believer that everybody has unusual, and certainly untapped, potential. The more people like that we can line up with their skill set and with their abilities, the more success we get to have.
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I have no problem with battling for a position. I have no problem trying to beat somebody out. It's a sport, competition, so I'm used to it.
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For the Yupik, all life was continuous, animal with human with 'spirit', and recognising that continuum allowed them to undergo transformations that we, locked into our own disappointingly Cartesian skins, find impossible even to imagine.
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Every musician liked Peggy Lee, but not the general public.
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When I started making my tracks in the style that people call tropical house, I didn't do it on purpose to make it sound tropical. I made whatever I felt sounded good. I just wanted to make my own thing, and then suddenly people started calling it tropical ... I'm like, 'Yeah, that's probably a good name for it.'
