Kingsley Amis Quotes
When starting to think about any novel, part of the motive is: I'm going to show them, this time.
Quotes to Explore
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When things happen - you ask yourself why today, why not tomorrow, why not yesterday? That's the most amazing thing about time.
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If I had my time again and was able to change one thing from my career then I wouldn't have retired. I would have played for Wales longer.
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I went to South Africa on safari and came eye to eye with a beautiful leopard. We were so close; I was staring at him for a long time and I felt a recognition with my own nature.
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Doing films in Latin America is like an act of faith. I mean, you really have to believe in what you're doing because if not, you feel like it's a waste of time because you might as well be doing something that at least pays you the rent.
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In fashion, we don't often know the prices. We don't have time to go into the stores.
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I was hoping, actually, that being on the other side of the camera in a scary movie, see how it's filmed and maybe you won't be as scared next time you watch one... didn't really work out! Because I know it's fake, but I just get so into it.
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You cannot truly listen to anyone and do anything else at the same time.
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I thought I knew there was a God. I always acknowledged that, but at the same time, I didn't live by those laws.
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I thought I was going to be a filmmaker but at the same time I was an intellectual and I felt that I could make a contribution to some field, as yet, not invented.
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What's funny in 'The Mayor of MacDougal Street' is how Dave Van Ronk talks a lot about the time and how exciting it was and how electric it was.
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You don't have to spend much time in Shanghai before you start to get all existential about the meaning of authenticity. Did you know that Shanghai is building nine satellite towns, each designed to mimic the architecture and culture of a different country?
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Well, one always has an instinct to be a painter, and I've done quite a lot of painting at one time or another, though not with any public success.
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I definitely had a hard time leaving for college because I'm not much of a risk-taker.
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I wanted to play Dracula because I wanted to say: 'I've crossed oceans of time to find you.' It was worth playing the role just to say that line.
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I wrote 'White Teeth' in the late nineties. I didn't really feel trepidatious about it. It was a different time.
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Ninety-nine percent of the time, when it comes down to it, if I have the choice between a great role and seeing a new guy, I would probably go for the great role because I figure if the guy's really that great that he'll be around once I'm done with the movie.
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When I was sixteen I started acting, and I also started to embrace my tradition and culture. I had a young medicine man interpret for me what it is to be an Indian. He really caught me at a good time because I was really vulnerable after the loss of my parents with all of the feelings of abandonment.
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You never know how much time you got.
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I love it when people travel to see one of my works, and I always make time to meet and talk with them.
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With Altman, he does discuss everything with you, but then leaves you to it and gives you full rein and lets you improvise and create a character while the camera is rolling.
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The Italian Renaissance extends beyond food, of course. Just about every major Italian furniture designer now has a shop in Paris, and Le Bon Marche recently opened an outlet for Santa Maria Novella perfumes, elixirs and soaps from Florence on its ground floor.
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I find being a mother is a huge advantage. Of course, I'm probably a little more tired than I might be if I didn't have children, but I think they provide me the balance that I need to keep my mind off of lifting.
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I spent my entire youth in front of a TV watching old movies, and as soon as I was able to get a subway pass, when I was 14, I joined the Museum of Modern Art and was there all weekend watching old movies.
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When starting to think about any novel, part of the motive is: I'm going to show them, this time.
