Kingsley Amis Quotes
When starting to think about any novel, part of the motive is: I'm going to show them, this time.

Quotes to Explore
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When things happen - you ask yourself why today, why not tomorrow, why not yesterday? That's the most amazing thing about time.
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If I had my time again and was able to change one thing from my career then I wouldn't have retired. I would have played for Wales longer.
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I went to South Africa on safari and came eye to eye with a beautiful leopard. We were so close; I was staring at him for a long time and I felt a recognition with my own nature.
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Doing films in Latin America is like an act of faith. I mean, you really have to believe in what you're doing because if not, you feel like it's a waste of time because you might as well be doing something that at least pays you the rent.
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In fashion, we don't often know the prices. We don't have time to go into the stores.
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I was hoping, actually, that being on the other side of the camera in a scary movie, see how it's filmed and maybe you won't be as scared next time you watch one... didn't really work out! Because I know it's fake, but I just get so into it.
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You cannot truly listen to anyone and do anything else at the same time.
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I thought I knew there was a God. I always acknowledged that, but at the same time, I didn't live by those laws.
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I thought I was going to be a filmmaker but at the same time I was an intellectual and I felt that I could make a contribution to some field, as yet, not invented.
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What's funny in 'The Mayor of MacDougal Street' is how Dave Van Ronk talks a lot about the time and how exciting it was and how electric it was.
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Well, one always has an instinct to be a painter, and I've done quite a lot of painting at one time or another, though not with any public success.
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I definitely had a hard time leaving for college because I'm not much of a risk-taker.
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I wanted to play Dracula because I wanted to say: 'I've crossed oceans of time to find you.' It was worth playing the role just to say that line.
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I wrote 'White Teeth' in the late nineties. I didn't really feel trepidatious about it. It was a different time.
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Ninety-nine percent of the time, when it comes down to it, if I have the choice between a great role and seeing a new guy, I would probably go for the great role because I figure if the guy's really that great that he'll be around once I'm done with the movie.
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When I was sixteen I started acting, and I also started to embrace my tradition and culture. I had a young medicine man interpret for me what it is to be an Indian. He really caught me at a good time because I was really vulnerable after the loss of my parents with all of the feelings of abandonment.
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You never know how much time you got.
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I love it when people travel to see one of my works, and I always make time to meet and talk with them.
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I think the first 10 years of my daughter's life were my mother's happiest, because she could finally have carefree time with a kid.
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I'd say that, 99 percent of the time at Nevada, I knew what the coverage was and where I was probably going before the ball was snapped. It makes it very easy when I only had to read one person and know that I was going from here to here, and if not, I'm checking it down.
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New York at times runs me dry because there's so much to do. There's never enough time to do everything. It's nice to have the balance in Moscow.
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Throughout history, when societies face tough economic times, we have seen democratic reforms deferred, decreased trust in government, persecution of minority groups, and a general shrinking of the democratic space.
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The only pitch I have to movie people is the same as this one: Just give me $8 million. I'm not telling you what it's about and I'm not telling you who's in it.
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When starting to think about any novel, part of the motive is: I'm going to show them, this time.