Lynda Carter Quotes
Quotes to Explore
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I've made 30 movies and for the most part my movies work. In a business where success is an exception and not the rule, I've mostly been successful.
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Journalist: a person without any ideas but with an ability to express them; a writer whose skill is improved by a deadline: the more time he has, the worse he writes.
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Parodies of commercials are by no means new and have been popular going back to black-and-white TV shows of the '50s.
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New technologies such as solar systems or hybrid cars aren't created overnight. By extending these tax credits we are giving this industry time to grow, branch out and succeed.
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I tend to have a lot of jokes about ex-girlfriends. They always ask me if they will be the subject of a joke, and I always tell them they won't. Unless they do something crazy. They all tend to, so you know where that goes. There are no closed doors. The 'art' will suffer.
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I haven't done as many films as I would have liked.
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We adore chaos because we love to produce order.
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I have to be smart. You cannot be going in there, trying to go forward and pressure guys, and be taking damage and getting hurt on the way to doing it.
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You always need younger guys if you're going to be successful in the long term.
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If someone had told me in high school that one day I'd write an historical novel, I would have rolled my eyes.
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At the risk of sounding like Virginia Woolf, I could live on £700 a year.
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It's important to me that I look good on television because, let's face it, I'm single, and you want somebody to watch the show and fall in love with you.
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People love gospel music. It's calming. It's soothing. It gets right to the point of whatever you're dealing with.
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Establishing an equilibrium between the Islam of truth and Islam as an identity is one of the most difficult tasks of religious intellectuals.
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It doesn't matter how precisely the onion is cut as long as the person chewing it is happy.
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I don't like the bullying, do-one-over style of comedy. It's so cheap.
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I don't know why everyone feels the pressure to look young. Personally, I hate it. I don't want to inject Botox and look young forever. It's living in denial and anything that has an undercurrent of this philosophy is bad for your growth.
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There's a lot of pressure on Broadway. There's this feeling that the show has to be a commercial success and the producers have to make their money back and Tonys and blah, blah, blah, blah, blah.
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Like a lot of black people, I grew up straight po'. Wasn't no question about whether we was po', either. If you really wanted to know, all you had to do was look in our refrigerator.
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If I'm not clear with the character, I can't do anything with it. But once I get that character, the possibilities are endless. When you have such a defined character, I feel like I can actually read the phone book and make it funny.
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The Irish, as a race, have the oral tradition in their blood. A direct question to them is an anathema, but in other cases, a mere syllable of a hero's name will elicit whole chapters of stories.
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In Portugal, my sculpture 'She Changes' refers to the town's fishing history, to the era of seafaring trade and discovery. The contemporary site is industrial, surrounded by red and white striped smokestacks, which is mirrored in the pattern of the sculpture.
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Often in red states you find racism, and where you find racism, you also find sexism.
