Mac DeMarco Quotes
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I really love a lot of Japanese music, like Ryuichi Sakamoto and this guy I got really into, Tatsuro Yamashita. When I was a little younger, I thought synthesizers meant Kraftwerk, cold, robotic, weird, Autobahn. But these guys are having a lot of fun on these things. Sometimes. Sometimes it's very somber. They could go either way.
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I'm not very good at playing piano, so I usually hit chords with my right hand. And those chords came, and I was just singing a little bit.
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One thing I hear a lot is, 'Dude, my mom loves your record,' or 'I got it for my dad for Christmas.' I'm essentially doing dad rock. Which is great, because I love Steely Dan, you know? Nothing wrong with dad rock!
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I actually had a really nice guitar as a teenager. I took jazz guitar, so my mom bought me this probably $1,600 guitar. But I got really into garage rock and local bands, and I noticed they played really crappy guitars. So I thought, 'Hey, I should get a crappy guitar, too!'
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I'm a pretty easygoing person, and it bleeds into the music. Even if I'm writing the most personal song, it's not going to come out totally serious; there's always a little tongue in the cheek.
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The way I'm portrayed on the Internet is partly my doing, but it's partly the people that are presenting it so, you know, people come to know this strange version of a human. It can be pretty weird because people think I'm digging through dumpsters and smell like crap all the time.
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I don't care about what people might call my style. It's just like when people call my music 'jangly,' 'dream,' 'oceanside,' whatever - I don't care. I'm just wearing whatever I can scrap together.
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I'd probably describe my sense of humor as 'twisted,' I guess. It's not hard to make me laugh, especially when I'm surrounded by my close friends, especially my bandmates.
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I'm going to try to do music for the rest of my life, but that's just trying. Maybe it's not going to work out. Who knows?
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I'm terrible at collaborating with people; nothing ever ends up coming out good.
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A lot of the songs on '2' are pretty personal, but even if I'm writing about something like that, I still tend to keep it pretty simple and open-ended. I like the idea of people listening to my album and it meaning something to me but maybe meaning something else to them.
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I live like a scumbag, but it's cheap.
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It was weird [touring with them]. It felt more like we were playing for Phoenix. They asked us because they're fans of what we do.
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I had a band called the Sound Of Love, and that was R&B songs about girls in my high school. I played in some other indie bands who were trying to make it big; those sucked. Then I started Makeout Videotape, and that was that.
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The crowd can be a little different in some places. For example, in Europe, people tend to be very respectful. They try not to make too much noise at inappropriate times. In other countries, people can be very still. Sometimes I'm not sure if a crowd is into it until the end, when they usually want me to do something crazy for the encore.
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At the time I was writing the second album, I was sitting home in my underwear all day every day; I didn't have all that much to write about except for my own life and my family.
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I'll probably have to open a recording studio at some point because I won't be able to pay the bills.
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When people think of someone being prolific, it's like, 'He's got a vault with 5,000 songs in it,' or something, but I just kind of pick them out of the air when they float by.
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For me, it's all about the Canadian tuxedo, and maybe a bolero. The province I grew up in in Alberta is pretty much the denim capital of Canada. The first premier of Alberta started Grand Western Garment, which Levi's bought later on.
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I'm just trying to have fun, and maybe the way I hold myself kind of freaks people out. I don't feel like an outsider, and I think my friends feel the same way I do. Now that we're playing to larger audiences, maybe we're weird to some people. But I'm trying to express what I am.
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If people are talking about you, that's great. You start making more money, that's great. You get to go to weird places, that's great. The music industry is weird, especially with the Internet. People are calling you all kinds of weird stuff, like 'jangly.'
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I don't want a job, and I think I've been trying my hardest to make sure I don't have a job.
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When we were in Beijing, they were all "it's an honor, you're playing at the oldest rock club in Beijing". And I was all "oh crazy how old is it?" And then were all: "5 years old."Asia is just very different.
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I love Jonathan Richman - I love a lot of his music, and the thing I really like about him is his attitude. He seems very happy, and the way he performs is like, 'Don't worry, everybody, just get into it. I'm just having fun; I like when you guys are having fun.'