Allen Toussaint Quotes
Whenever I wrote songs - particularly back then - it would always be for a particular artist.
Quotes to Explore
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I loved every place I lived and traveled. London, Paris, Rome, Venice. I fell hard for Central America and Mexico. In each country, I had fantasies that I could live there.
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Nothing external to you has any power over you.
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Here he tells us that the new birth is first of all 'not of blood'. You don't get it through the blood stream, through heredity. Your parents can give you much, but they cannot give you this.
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Weirdly, often the more I write, the more ideas I have.
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Memory is a complicated thing, a relative to truth, but not its twin.
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French 'Vogue' was always a photographer's magazine.
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A woman going out with a younger man feels like the last taboo.
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Vox populi vox dei: the voice of the people is the voice of God. The slogan was useful for those who first attempted to substitute the people for God as the source of political authority. Their attempt was ultimately so successful that God no longer seems to be needed in government.
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The life of an actor is never one to get comfortable.
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I don't want to say anything because I know I am unable to protect you from the harm that I see.
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All of the characters in my films, they share one commonality. It doesn't matter whether they are good or bad, it doesn't matter whether they are smart or stupid, these characters all take responsibility for their own behavior. I'm much the same.
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You know, I've sold a lot of bad movies in my time.
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I don't have business with any politicians.
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When we assess the impact of technological changes, we tend to downplay things that happened a while ago.
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That's what sets apart one actor from another, and that you can't teach. You can't give someone that. When you're working, putting a character together, or in a scene, that's where things will happen that you have to have the intuition to notice them, and to register them.
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I'm a self-taught musician aside from what I've been able to pick up from other players.
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I probably have a higher opinion of my writing than the average person, at least when I'm in a good mood, but I don't really think of my plays as only being relevant to a particular month or year.
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When I was living in New York and didn't have a penny to my name, I would walk around the streets and occasionally I would see an alcove or something. And I'd think, that'll be good, that'll be a good spot for me when I'm homeless.
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I've done some wonderful performance on TV even better than films. But once people watch it, they just forget it. The impact is not strong. So, films and TV are different.
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I think it's always easier to play parts that you have something concrete that you can relate to.
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Every child is an artist. The problem is how to remain an artist once we grow up.
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Art is nothing tangible. We cannot call a painting 'art' as the words 'artifact' and 'artificial' imply. The thing made is a work of art made by art, but not itself art. The art remains in the artist and is the knowledge by which things are made.
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Let me see: art and activism. I can always fall back on, "the question should be, what isn't political? Everything you do is political, even if it's abstract. You're making a political statement even if it's unwittingly." I think so much of art is unconscious anyway, the artist doesn't know the real reason they're doing it. They're just kind of going along with it intuitively.
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Whenever I wrote songs - particularly back then - it would always be for a particular artist.
