Lisa Gardner Quotes
What I loved about romances was the character, and I think I still bring that to my novels. What romance taught me was that the 'who' will always matter more than the 'what.' It's fun to come up with plots, but I want to make sure the reader cares about who it's happening to.
Quotes to Explore
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I think what I do in my acting world and what I do in my standup world is bring up a brand that I want to bring across. Once you figure out your brand and what you do, it's kind of easy at that. You end up getting your audience.
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'Yellow Moon' was a poem. My wife at the time, Joel - she's dead now - it was our 25th anniversary. She had the chance to go on a cruise with her sister. And I'm home with the kids and looking up, and I saw the big moon, and I just started writing.
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Every man must define his identity against his mother. If he does not, he just falls back into her and is swallowed up.
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I am dying soon, and I am choosing to have fun today, tomorrow and every other day I have left.
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To write our constitution is for the past, the present, and the future to come together all at once in one single motion, in one single heave, one single cry. For we correct the errors of the past and chart a new course for the future, based on the experience of the present.
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Twerking has to end. Not for the ones that look good doing it, but for all the ones that you feel, 'You don't have enough to twerk back there. Your twerkin' look like jerkin.'
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A lot of my creative energy is spent coming up with a concept that, once I get it, I feel like it writes itself.
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I'm planning to be here forever, but I know at some point I'll probably have to give it up. If you live to 100, there's a very good chance you'll live forever. Because very few people die after 100.
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'St. Trinian's' is probably taking it to the extreme, but in essence it's saying, 'If you be yourself, you can do whatever you want,' and it's sort of a fun message.
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I have met hundreds of young people doing just what George Romney did: using a hand up in tough times to become part of the American Dream.
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I've been giving back since I was a teen, handing out turkeys at Thanksgiving and handing out toys at toys drives for Christmas. It's very important to give back as a youth. It's as simple as helping an old lady across the street or giving up your seat on the bus for someone who is pregnant.
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Let's be cautious about dreaming up extreme scenarios. The situation in Iraq is still salvageable.
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I always want to go back and do stand-up; I like the freedom.
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A lot of Montanans are teed off that local finds usually end up in New York.
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I love receiving fan mail.
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Science, almost from its beginnings, has been truly international in character. National prejudices disappear completely in the scientist's search for truth.
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Rap is something you can just throw on the skillet and fry up real quick. That's how it comes to me, my train of thought. It's like getting dressed - I don't have to sit down and stare at clothes, I just pick what I like and put it on. But rock, you gotta put it in the oven and let it bake.
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When something comes up that attacks people's beliefs, their first reaction tends to be fear.
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I think it's a pity for him that my father didn't have the pleasure of seeing me grow up. I think he missed out on something. But it doesn't matter. It's boring. I don't have any anger about it.
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I used to go on chat rooms on AOL, back when those things existed, and argue with believers in evolution and argued with them that it was against God's law to believe in evolution. It was something I believed really personally.
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Red is the ultimate cure for sadness.
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If I do a bit on stage, I prepare too much. Those bits are all really, really carefully written, and overwritten, and researched. I really don't feel like I can wing it. So I write it out word for word, and when I'm onstage I'll improvise around it.
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Some things are easier to legalize than to legitimate.
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What I loved about romances was the character, and I think I still bring that to my novels. What romance taught me was that the 'who' will always matter more than the 'what.' It's fun to come up with plots, but I want to make sure the reader cares about who it's happening to.
