Tyler, The Creator Quotes
Rap is really just too conventional. Everybody does the same thing. No one ever pushes the box.
Quotes to Explore
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This is a group playing together and that's the only way, I feel, this play can be successful and moving. I am so lucky to have the people that are in it. When I came here I didn't know who was going to be in the play.
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I say the law should be blind to race, gender and sexual orientation, just as it claims to be blind to wealth and power. There should be no specially protected groups of any kind, except for children, the severely disabled and the elderly, whose physical frailty demands society's care.
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I like to be supportive and a role model.
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The idea of the sacred is quite simply one of the most conservative notions in any culture, because it seeks to turn other ideas - uncertainty, progress, change - into crimes.
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Michael Jackson wanted to be in Men in Black II. He told me he had seen the first Men in Black in Paris and had stayed behind and sat there and wept. I had to explain to him that it was a comedy.
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You reach a point in your career when the weeks turn into a month or more of the phone not ringing.
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Marijuana is not tested for, and yet that is the big thing guys are getting in trouble with in the league. It's terrible.
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As a boy, I had an uncle, T. G. Bond, who lived near Moreton Hampstead and who was passionately devoted to Dartmoor. He inspired me with the same love.
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When my friends have a health concern, they call me. I've always been a vitamin taker. I also take digestive enzymes and antioxidants, and supplements that help with the thyroid and adrenals for my time-zone changes.
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People ask if success changes one overnight. I am just doing my job, and I worked way too hard to get here. I didn't get it easy.
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Mick Jagger has produced some great films and brought us stories about the music industry that have changed the way we think about how music is made. I never thought I would actually call him my boss, let alone meet Mick Jagger or have any reason to say my name in the same sentence as his.
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I like chords that are very lush with all the lush parts taken out.
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I think what was frustrating to see a lot of good people go. You don't picture it, you don't imagine it, don't think it could happen. When it does, you are puzzled.
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What really matters is what you do with what you have.
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Our country has often stood like a solid rock in the face of common danger, and there is a deep underlying unity which runs like a golden thread through all our seeming diversity.
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My connection with Basquiat was really in Los Angeles, which really was a whole different world to what he was experiencing in New York.
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One of the great things about the sci-fi genre is that you can kind of get away with a bit more when talking politics, making social references or dealing with very hot-button topics because it is sci-fi.
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I was in middle school right around the time the Bloods and the Crips started taking root in Compton and a lot of the other neighborhoods around me. I saw way too many of my peers - smart, kind, good kids - who got drawn into gangs and violence, and their futures were going to be forever scarred by that.
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When I first started making music, I was all about wordplay and how fast I could rap, but over the years, I've really gained an appreciation for melody. What's cool is that when you're singing, you have to be concise, and when you're rapping, you have the opportunity to be really detailed with your lyrics.
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Heavy Connection is just basically about psychic stuff...it's kind of about connections that you're not normally making. It's like a fate number where you're making psychic connections that you're not really aware of but they're there.
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Rap is really just too conventional. Everybody does the same thing. No one ever pushes the box.
