Liu Bolin Quotes
In one aspect, my works record the history of the development of Chinese society. Concern about the situation of Chinese reality is one important theme of my works. I am trying to ask, 'How does our society develop? What are the problems in our society? Where is our direction leading?'
Quotes to Explore
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If it weren't for the Internet, WWE probably wouldn't even know my name. If I had to rely on 'Pro Wrestling Illustrated' to get my name out there, it would have been a much more difficult road.
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Don't taunt the alligator until after you've crossed the creek.
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Every employee needs to know that there's somebody out there that they serve. And when we don't let people know that for one reason or another, we're depriving them of a fulfilling job.
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Since I started playing at the Olympics in 2000, I have always wanted to do a dress based on Wonder Woman. It should be interesting to wear. And hopefully, it will get me a gold medal.
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I write 'Broad City,' so I connect it to me.
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There's nobody else that can double me - except for a doll.
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Tragedy is like strong acid - it dissolves away all but the very gold of truth.
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When a single author uploading his own books to Amazon can earn more money than a large N.Y. publisher exploiting both print and e-rights, there's something amiss.
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One thing that happens when you're pregnant is that as your stomach starts to stretch. It itches! So I have to keep my belly really lubricated. Every morning, there's a buttering ceremony after I get out of the shower. It's really like basting a turkey with body butter.
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I'm an Oscar nominee. I love saying that. Whatever happens, I'm going to sing that 'I'm an Oscar nominee' part.
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I see that it is impossible to remember a long poem without practice and repetition; so is forgetfulness of the words of instruction engendered in the heart that has ceased to value them.
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Teach For America would not be able to continue recruiting and developing an ever-more diverse and impactful group of corps members and alumni if the nation's leading colleges become even less diverse.
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I'm obviously really opinionated, but as a producer, you don't necessarily want the person you're working with to try to impress you - you want them to just be themselves. Then you can edit or mess around with what they've come up with. But you have to allow the artist that space.
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Everyone comes with dreams and illusions and promises. Everyone wants quick deals. They don't want to invest.
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Growing up, there were TV shows that were very funny but very traditional. Classic things like 'Fawlty Towers,' obviously, and 'Blackadder' were pretty traditionally shot. And then there were the ones that start to break the mold or be really ambitious. The ones that spring particularly to mind would be 'The Young Ones.'
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I'm writing from a place of - a center of authenticity, somewhere that only I know how to write from.
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I really hate drama. It's draining; it's mentally draining. It's a waste of time.
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It became obvious in 1957 that I was endangering my health by carrying so much weight.
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I would hope that, for me, regardless of what happens in my career in the future, I always want to maintain a level of humility. I think it's so important to not lose yourself and to just understand that you're a conduit.
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Painting, like passion, is a living voice, which, when I hear it, I must let it speak, unfettered.
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I am not one to go for traditional female roles, because I don't think traditionally female characters are very interesting, and I don't think they represent real life.
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The incarnation is in itself an unfathomable mystery, but it makes sense of everything else that the New Testament contains.
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You will find out that in the measure you have allowed yourself to look back you have missed that which God has for you.
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In one aspect, my works record the history of the development of Chinese society. Concern about the situation of Chinese reality is one important theme of my works. I am trying to ask, 'How does our society develop? What are the problems in our society? Where is our direction leading?'
