Amy Lee (Amy Lynn Hartzler) Quotes
Quotes to Explore
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I think what is important for things to be funny is if you the listener, or the reader, get a chance to supply the humor of it yourself.
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Every actor has their own process. For me, I really need to stay in the pocket. So, if I'm on set and I'm in character, I'm not thinking like a producer. If I'm on set and I'm not in character, wardrobe and make-up, and I'm just coming on set for the moments that I'm not shooting, then I'm able to be the producer.
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A definition of poetry can only determine what poetry should be and not what poetry actually was and is; otherwise the most concise formula would be: Poetry is that which at some time and some place was thus named.
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The capability of negotiating... is something that means you not only have to understand fully what you believe and what your national interests are but in order to be a really good negotiator, you have to try to figure out what the other person on the other side of the table has in mind.
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No flying machine will ever fly from New York to Paris.
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This is the moment when we must come together to save this planet. Let us resolve that we will not leave our children a world where the oceans rise and famine spreads and terrible storms devastate our lands.
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To demonstrate this simultaneity is by no means trivial, because it may for example happen that the product nucleus always forms in an activated state at first.
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I was lucky to have my allergist who diagnosed me with CIU.
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Pre-Internet, maybe it took six months for a fashion message to get across to a customer base. Fashion messages are now being sent out overnight, simultaneously, to every market in the world.
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People prefer doing films. That is not the case with me. I don't do theatre because I have to but because it makes me feel alive. I enjoy the whole process of rehearsing, though repetition can make it tedious.
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Argentine political life is like the life of an ant community or an African forest tribe: full of events, full of crisis and deaths, but life is always cyclical, and the year ends as it begins.
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I don't listen to my old stuff very often at all.
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The older you get the stronger the wind gets and it's always in your face.
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God knows, we don't want prayer.
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In Japan, you get on the bullet train or the airplane, and I loved the little speeches the stewardesses would do. They even do little speeches before you play gigs.
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The place was crawling with youngsters. It was good, because the kids were good. I can't make a general assumption. Again, you're probably getting, as a general theme from me, that I don't make a lot of broad, sweeping rules about movies.
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I discovered that men were just like everyone else, really. They liked you if you were good-tempered and easy to talk to. And being a big girl meant other females trusted you more and confided in you.
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Without the Fender bass, there'd be no rock n' roll or no Motown. The electric guitar had been waiting 'round since 1939 for a nice partner to come along. It became an electric rhythm section, and that changed everything.
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Man brings all things to the test of himself, and this is notably true of lightning.
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That Happily Ever After is a great way to tell stories when you're young but eventually it loses its meaning because it's just not true.
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If there is anyone who owes everything to Bach, it is certainly God.
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I have often thought that however learned you may talk about it, one knows nothing but what he learns from his own experience. [Ger., Da dacht ich oft: schwatzt noch so hoch gelehrt, Man weiss doch nichts, als was man selbst erfahrt.]
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The trouble with the performance poets is that they don't seem to have read anything. So there is not a real sense of the poetic tradition in their work.
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It's true we're all a little insane.
