Amy Sedaris Quotes
Quotes to Explore
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I want to coach high school football, and that's always what I've wanted to do.
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I sort of wrongfully judged 'Mamma Mia!' for so long. I thought of it as a jukebox musical that I wasn't interested in. I was so wrong.
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One reason we love fiction is because stories have a comforting shape. They provide a resolution that's lacking in our regular lives.
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And when people give me their word, I listen to them.
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Why would Senator Allen want to oppose saving money for the state? It's simply another example of Republicans fighting the governor tooth and nail against any measure where she might be able to turn the state's budget around.
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I love Bob Altman. I always admired him so much because I always thought he was a genuine voice.
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If you learn one thing from having lived through decades of changing views, it is that all predictions are necessarily false.
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I thought of Jeff Bridges in 'Hell or High Water' and Ben Foster, and I kept trying very hard not to, because you're terrified you're going to write this thing that then feeds specifically to this one person that then won't do it.
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If the lyrics are something new, then maybe I want to give it a more traditional form, or the other way around, but not have all one or the other.
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I'm very ambitious, but I also love myself - which means I try to take care of myself.
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No one connected intimately with a writer has any appreciation of his temperament, except to think him overdoing everything.
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Fame is a delicate and dangerous creature; I saw people who didn't honor it, who refused to take responsibility for it, get destroyed by it. I also saw that stardom in and of itself was empty.
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In the United Kingdom, we need to promote an inclusive British identity that involves and empowers people from all ethnic and faith backgrounds.
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If you only believe that you're an artist when you have a big advance in your pocket and a single coming out, I would say that's quite soulless. You have to have a sense of your own greatness and your own ability from a very deep place inside you. I am the one with the litmus test in my hands of what people need to hear next.
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When police or security personnel work in schools, they should follow the community policing model that integrates officers into school life, not just involve them when trouble arises.
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So if I get these actors for 30% of their price by coming in so late with an offer when they know they are not getting another offer then I do it this way.
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The smorgasbord of images now presented to us is getting bloodier. They're becoming more frequent - almost hourly.
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There are a lot of new opportunities that are poking their head up in my future. I've been very fortunate that way, but for right now, what I like is what I'm doing.
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I have this image of myself as kinda like the Energizer Bunny. I get knocked down, and I pop right back up.
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You know I don't care if the world thinks I'm smart or not.
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The studios don't seem to foster good writing. They're not so interested in that, but they're more interested in what worked most recently. They're definitely very serious about making money, and that's not a wrong thing, but you don't have to make money the same way all the time.
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For me to go back and to play for audiences some of whom have been following me for thirty years and some who have found me in the last five or six years, that's really an interesting thing. I have an audience that goes from kids to seventy year olds.
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I love my time with my kids.
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I always knew I didn't want kids, and I didn't want to get married.
