Amy Sherman-Palladino Quotes
I think every writer has got to direct. If you don't direct, you can't protect your work. The only way to ensure that it's going to be as close as possible to what you put down on paper - and what you see and hear in your head - is to do it yourself.
Quotes to Explore
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Many scientists have been drawn to Buddhism out of a sense that the Western tradition has delivered an impoverished conception of basic, human sanity. In the West, if you speak to yourself out loud all day long, you are considered crazy. But speaking to yourself silently - thinking incessantly - is considered perfectly normal.
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We should cease thinking about men as the enemy of children and women.
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God's not thinking about your mistakes, failures or shortcomings. No, His thoughts toward you are good.
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I'm not faithful to one particular medium, and it's what I try to teach to people who work with me.
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The connection I make with being young and growing up is, like, the feeling of not being crushed by the world. Having an idea, thinking you can do it.
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I live a half mile from the San Andreas fault - a fact that bubbles up into my consciousness every time some other part of the world experiences an earthquake. I sometimes wonder whether this subterranean sense of impending disaster is at least partly responsible for Silicon Valley's feverish, get-it-done-yesterday work norms.
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I'm guilty of it myself, sort of thinking, 'Classic novels: snoozeville.' But there is a huge amount of wonderful material.
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The good part is if I play a solid round of golf, it will be very hard for the others to beat me. And that's all I'm thinking about.
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It is obvious that the monetary union among 17 very different European countries does not work. As an economist, I know that the Eurozone is not an optimum currency area, as defined in economic theory.
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The world of fiction is a sovereign world that comes to life in the author's head and follows the rules of art, of literature. And that is the major difference that is reflected in the form of the work, in its language and its plot. An author invents every aspect of a fiction, every detail.
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But all over Ohio - all over America - men and women are going back to work with the pride of building something stamped 'Made in America.'
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I'd hopefully work through all my issues with men first so then I'd be okay being with a woman.
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I get 0.5 seconds to react to a ball, sometimes even less than that. I can't be thinking of what XYZ has said about me. I need to surrender myself to my natural instincts. My subconscious mind knows exactly what to do. It is trained to react. At home, my family doesn't discuss media coverage.
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To be a good artist, you have to serve the work of art and allow it to be what it is supposed to be.
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I work out, I go to pilates, I walk and I eat everything I can get my hands on.
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The first 50 years of the cinema were absolutely great years. Original minds were at work establishing the ways to tell a story. And what is happening now is a copying, a pastiche-ing of what was done by great men.
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There is nothing deeper than to work for a year with the same artist.
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Special-interest magazines are dangerous places for writers to start out in because the writing quickly falls into a routine and people are likely to find themselves artistically exhausted when they want to work on something of their own.
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The origin of all revolutions and corruption, and the spur and source of all base morals are just two sayings: The First Saying: 'So long as I'm full, what is it to me if others die of hunger?' The Second Saying: 'You suffer hardship so that I can live in ease; you work so that I can eat.'
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My humour and my work ethic definitely come from my Scottish side, and I have to say the sense of humour doesn't really translate when I'm in America.
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I've always had this deep and chronic sense of dissatisfaction.
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The fact is that Hollywood, from as early as the sixties to the present time, has ghettoized cinema into the big industry, a marketing industry. In doing this, the audiences have lost touch with the aspects of film which were to be informative and educational and even spiritual.
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We start to die when we no longer have the power to choose.
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I think every writer has got to direct. If you don't direct, you can't protect your work. The only way to ensure that it's going to be as close as possible to what you put down on paper - and what you see and hear in your head - is to do it yourself.
