Dan Jenkins Quotes
Quotes to Explore
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The first thing I tried to do in the months after losing my mother was to write a poem. I found myself turning to poetry in the way so many people do - to make sense of losses. And I wrote pretty bad poems about it. But it did feel that the poem was the only place that could hold this grief.
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My worst expectations never happened.
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I really enjoy the fun of putting something out and people liking it or hating it or talking about it, but vacuous attention, it feels disgusting. It's like a hangover.
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Waiting for me in Stockholm will be a personal assistant - Katrina from the Ministry for Foreign Affairs - as well the secretary of the Swedish Academy. They'll help us with our things and take us to our hotel. From the moment I arrive, I'll always be together with the other two laureates.
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Women have simple tastes. They get pleasure out of the conversation of children in arms and men in love.
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At night, I love dressing up. I love putting on an outfit.
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Only then, approaching my fortieth birthday, I made philosophy my life's work.
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What a pity human beings can't exchange problems. Everyone knows exactly how to solve the other fellow's.
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Love is never lost. If not reciprocated, it will flow back and soften and purify the heart.
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I paint. I still do it every day. I never neglected it. It's a gift. It's almost like religion for me. It's the quickest way for me to become still.
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People ask if I walk around and pinch myself. Yes, I do.
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My mother was keen that I complete my graduation and never ever wanted me to be in the movies, as my father had made five films that lost money. One of the films he made was 'Agneepath,' which was hugely hyped but underwhelming at the box office, and I remember that my dad had to sell my grandmother's flat to pay off the loan.
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In cartoons, in movies, time passes differently. There are flashbacks and flashfowards.
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I have worked very hard to shed away my chocolate boy image in order to get a tough look for this action entertainer. I am confident of my success and would love to dedicate the same to Director Balachandar sir.
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I didn't want to do a zoo show. I didn't want to do a study of someone with mental illness. I just wanted to show someone who was trying to live their life.
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You can't watch 'Daredevil' or 'Jessica Jones' or the Marvel films and not be aware that the villain has to be awesome. I've always wanted to have more space. And the scope, morally, is more broad for the villain than the hero.
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I have problems with a lot of photography, particularly street photography and photojournalism - objectifying the other, finding the contempt and exoticism that you might feel within yourself or toward yourself and projecting it out to others. There can be an abusive power to photography, too.
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People need songs to belt out in the shower. Even if everyone else doesn't need that, I need that.
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Eros is an issue of boundaries. He exists because certain boundaries do. In the interval between reach and grasp, between glance and counterglance, between ‘I love you’ and ‘I love you too,’ the absent presence of desire comes alive. But the boundaries of time and glance and I love you are only aftershocks of the main, inevitable boundary that creates Eros: the boundary of flesh and self between you and me. And it is only, suddenly, at the moment when I would dissolve that boundary, I realize I never can.
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It was very hard for me to practice and enjoy my tennis, and I didn't know the why, so I worked with psychologists to try and see what was happening. They pushed me really hard.
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If you have life's experiences with you, nothing can stop you from being a competent actor.
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When I read the script sometimes, it's like 'Christ! Enough!' I can't sleep at night sometimes. There's the occasional script that just hammers you, that you can't shower off.
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There was a time when caddies couldn't wear shorts.
