Yael Naim Quotes
I don't hide my being Israeli. I say it in every interview. I put out a record with songs in Hebrew. The people who signed me have no connection to Judaism or Israel.
Quotes to Explore
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When I started out back in Louisville, there was Harry Collins. He was my first teacher. He saw that I was so obsessed with magic that he taught me the love of magic.
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A lot of guys and people in our society think that chicks just love dudes with money. Chicks love dudes who are successful who happen to have money - do you know what I mean? Chicks are attracted to dudes that are doing their own thing.
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'Sister Act' was my first audition out of school. I was 21 and cast as the understudy. It was non-Equity, so I lived in L.A. on $300 a week. I did that for a month and then came to New York to do a couple of gigs, including 'Hair' in the park, before going to London with 'Sister Act,' where I played the lead.
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Money brings a lot of responsibility as to what you're going to do with it, and I've given quite a bit of thought to that.
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I'll always be back to the stage. I have no doubt that the stage will always call me back. There will always be a character that no one else can play, and I'll be back to play it.
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We're going to lose more species, acidify the oceans more, do damage that it will take millions of years - if not longer - to unwind. Exactly how much damage will we do? How deep will those scars run? We don't know yet. But we will turn the ship.
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We're going to create a portable handheld environment, and you should expect the same things you've always expected from Playstation - a great quality product, versatility, great value to the consumer.
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People in the mass media tend more and more every day to look and act like elected and appointed officials.
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If you're an artist, you're an artist; that's the only way I can explain it.
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I changed that system in Florida when I was the Speaker of the House - I was the Minority Leader; I saw for 16 years the way a power system works.
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I'm entirely self-taught, which I think is both a blessing and a curse.
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As a developing musician, skiffle became a platform for me to start playing music.
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I played didgeridoo from a young age - on the vacuum cleaner, initially.
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Early on I saw the plastic quality in colored people and had friends among them; and later was to work from colored models and friends, including Paul Robeson, whose splendid head I worked from in New York. I tried to draw Chinamen in their quarter, but the Chinese did not like being drawn and would immediately disappear when they spotted me.
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I was always a bit different. I had a very happy childhood, but I could never hang on to mates.
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The song This Kiss was definitely my breakthrough song. After that, Breathe was my breakthrough album.
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Friendship is a disinterested commerce between equals; love, an abject intercourse between tyrants and slaves.
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The herd instinct among forecasters makes sheep look like independent thinkers.
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Sales don't always have anything to do with good or brilliant or original. Sales are about appeal.
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How do you grow up in the shadow of a guy - I want to talk about the movie in a second - but how do you grow up in the shadow of a guy who really is a legend in his own time?
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The creative works of the entertainment industry belong to the millions of people who make them and are not for others to steal or unlawfully distribute.
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I love the German and the Swiss people for their many fine traits of character. I love their language that is so exacting and yet so expressive.
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I don't hide my being Israeli. I say it in every interview. I put out a record with songs in Hebrew. The people who signed me have no connection to Judaism or Israel.
