Louis Jordan Quotes
Quotes to Explore
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We say God and the imagination are one... How high that highest candle lights the dark.
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I don't get manicures, pedicures. I don't get my hair done as often as I should.
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The first 'Monsters, Inc.' represents starting at Pixar for me, I have a special place in my heart for it. So to be able to tell a story with those ideas is an honor.
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The utterly fallacious idea at the heart of the pro-war argument is that it is the duty of the anti-war argument to provide an alternative to war. The onus is on them to explain just cause.
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If I was to do anything besides acting, I would be a fireman or a beat cop. I'd do a regular job.
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I personally don't like to rehearse so much. I really sort of trust my instinct.
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There have been recorded cases of people learning how to fly a plane after playing a flight simulator, but there's never been a case of someone learning to fight by playing 'Tekken.'
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I'm the most Colombian of the Colombians, even though I've lived 47 years outside of Colombia. I've lived 13 years in New York, and I never did a painting about New York. I've lived in France more than 30 years, and I've never painted Paris.
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I like to give my inhibitions a bath now and then.
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Men honor what lies within the sphere of their knowledge, but do not realize how dependent they are on what lies beyond it.
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Who cares about the clouds when we're together? Just sing a song and bring the sunny weather.
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A man cannot become an atheist merely by wishing it.
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Dance has always been my passion, and I love it.
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The nature of creativity is to make space for things to happen... We can drive it out with our busyness and plans.
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The lions taught me photography. They taught me patience and the sense of beauty, a beauty that penetrates you.
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A man notices a woman's figure when she walks in a room. Women have eight million words for blue; a man says dark blue or light blue.
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When you're mid-season, in very intense situations, it's hard not to take that home with you. Especially when you're sleeping, you can't control what you dream about. And it sneaks into the unconscious.
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In England, we have this saying about Marmite: people either love it or hate it. That's like a lot of the movie work I've done. People either find it repulsive or find it really interesting and get engaged in it.
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In the car on my way to premieres and awards shows, I'll sit with tissue paper under my armpits so I don't soil the delicate dress fabric. The whole time, I'm telling myself, 'Please don't sweat, please don't sweat.' I throw the tissues out right before I step out of the car, and nobody ever knows! I just put on a smile and fake it.
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What until then seemed impossible to achieve has become a fact of life. We have won the right to association in trade unions independent from the authorities, founded and shaped by the working people themselves.
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I think that most actors, and they're a very strange lot actors, very strange people, but I think that they attempt to keep in touch with the child.
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I wasn't thinking of a sequel when I finished 'Life Class.' What changed my mind was the perception that the characters had a lot of life left in them, a lot of unresolved conflicts, and also I became interested in the Tonks pastel portraits of facially disfigured soldiers and in the whole area of facial reconstruction.
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The only people who make love all the time are liars.
