Lucas Till Quotes
Quotes to Explore
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Pursuit and seduction are the essence of sexuality. It's part of the sizzle.
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I don't know what the instinct is, to save every report card, every half-sentence scribbled note, but my mother did it pretty effectively, and I've done it to a fare-thee-well.
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I'm lucky that I have my family, I'm lucky that my parents are still together. Those are the things that I cherish.
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In Los Angeles, I'm always in Fred Segal. It's become a ritual. I have lunch and then buy lots of things I don't need. Usually tons of clothes for the kids that they grow out of in 10 seconds.
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My views naturally have mellowed. Most of the critics have been more or less nice to me.
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My little son, Atticus, desperately needs his dad and I haven't been there for him... and that's sad.
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Democracies can't handle austerity measures very well.
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Love is dangerous; it's not something to be trifled with. As good as it feels on the way in, it feels that much worse on the way out.
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I'm not crazy. I play a lot of crazy characters, but I'm an actor.
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Middle English is an exciting field - almost uncharted, I begin to think, because as soon as one turns detailed personal attention on to any little corner of it, the received notions and ideas seem to crumple up and fall to pieces - as far as language goes, at any rate.
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Where the stakes are the highest, in the war on terror, we cannot possibly succeed without extraordinary international cooperation. Effective international police actions require the highest degree of intelligence sharing, planning and collaborative enforcement.
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It was fear. He didn't want to see a united Germany. Stalin made it clear to me – I spoke with him many times – that they couldn't afford to let Germany build up again. They'd been invaded twice, and he wasn't willing to have it happen again.
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When I start a picture, I always have a script, but I change it every day. I put in what occurs to me that day out of my imagination. You start on a voyage; you know where you will end up but not what will occur along the way. You want to be surprised.
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I have problems with a lot of photography, particularly street photography and photojournalism - objectifying the other, finding the contempt and exoticism that you might feel within yourself or toward yourself and projecting it out to others. There can be an abusive power to photography, too.
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When I started in the mid-'90s, the goal was really to shoot for a film career and stay there.
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Have courage for the great sorrows of life and patience for the small ones; and when you have laboriously accomplished your daily task, go to sleep in peace.
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My view is that at a younger age your optimism is more and you have more imagination etc. You have less bias.
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The tensions between authority and the people need to be heard, especially when they are suffering and they can't eat.
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In my career, I've always felt like all great things came at once, and when something goes bad, it always seems that everything else seems to start going bad.
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If I knew where I was going, I wouldn't do it. When I can predict or plan it, I don't do it.
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I don't really think about being pigeonholed so much.
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The black experience, which has nothing to do with my play 'Angels in America,' allowed me to understand the Mormon character. He was the character that couldn't come out to his mother. It allowed me to understand emotional and closeted behavior, because you're so acutely aware of how you're perceived.
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I was exercising so hard that I began to lose weight.
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I was a small kid.
