Bill Gates Quotes
Exposure to the reproductions of Corbis-owned fine art photographs is likely to increase rather than diminish reverence for the real art and encourage more people to get out to museums and galleries.
Quotes to Explore
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Instead of stubbornly attempting to use surrealism for purposes of subversion, it is necessary to try to make of surrealism something as solid, complete and classic as the works of museums.
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Museums are for dead artists. I'd never show my work in the Tate. You'd never get me in that place.
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I don't particularly like showing furniture on pedestals, but for whatever reasons you always have to in museums.
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Libraries and museums are the DNA of our culture.
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The museums want large crowds coming to the shows - it's the same thing. It's hype. Absolutely. But there's nothing evil about it.
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Prose is in fact the museum where the dead images of verse are preserved. In 'Notes', prose is 'a museum where all the old weapons of poetry kept.
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Nobody would say the cowshed was heaven and nobody would say the inhuman torture of so many victims be called a revolution of the proletariat. ... A museum should be established to remind China of the follies and disasters that had fallen from 1966 to 1976. We cannot forget what had happened and history should not repeat itself.
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Museums are just a lot of lies, and the people who make art their business are mostly imposters. We have infected the pictures in museums with all our stupidities, all our mistakes, all our poverty of spirit. We have turned them into petty and ridiculous things.
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Smart art galleries know it's not the words on paper but the emotion in the piece that makes clients pull out the credit card or check book. The gallery's number one concern is will this stuff sell? What your bio, artist's statement or resume articulates will be of no help if you don't make art that connects with buyers.
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Some of our greatest historical and artistic treasures we place in museums; others, we take for walks.
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Anyone who has walked through the deserted palaces of Versailles or Vienna realise how much of a part of the life of a nation is lost when a monarchy is abolished. If buckingham palace and windsor castle were transformed into museums, if one politician competed against another for president of the republic, Britain would be a sadder and less interesting place. Our politicians are not men such as could challenge more than a thousand years of history.
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Eventually I gave up teaching at the St. Paul Gallery because of disagreements with the philosophy of that museum, and I got a job at the University of Minnesota, which was very fortunate because it was a part-time job and that gave us a great deal of time in our studio to work together and to make the pots we wanted to make.
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Whereas there's a wealth of galleries in Australia, everyone's got a gallery in Australia or wants your work. Because the art scene is smaller in Indonesia, there's not so much competition.
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Titian and Rembrandt, Monet and Rodin, Frank Lloyd Wright and Le Corbusier, Mark Twain and Henry James, Robert Frost and Elizabeth Bishop, to name a few. Twain wrote 'Tom Sawyer' at 41 and bettered it with 'Huckleberry Finn' at 50; Wright completed Fallingwater at 72 and worked on the Guggenheim Museum until his death at 91.
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Rumour has it that the gardens of natural history museums are used for surreptitious burial of those intermediate forms between species which might disturb the orderly classifications of the taxonomist.
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Walking rapidly - or even slowly - through a gallery is equivalent to browsing through a bookstore and reading the blurbs.
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I have little art piece, a kind of short film thing I filmed with my friend. It's going to be 20 minutes, and we're going to submit it into festivals but also going to art galleries.
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What's that Regina Spektor song? Museums are like mausoleums. Having your work in a museum is something we as artists aspire to, but I don't think that's something we need to worry about while we're alive. Typically your work will end up in a museum after you're dead. And maybe that's the function of a museum. It's an archive of your work after you're dead. But while we're alive, I like to see it in places where it's connected to day-to-day life and making a difference.
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I think what happened was the manifest success of the Prius caused a rethink on everybody's part.
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I kept.. ..returning to the (ancient Roman) wall paintings with their veiled melancholy and elegant plasticity.
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Exposure to the reproductions of Corbis-owned fine art photographs is likely to increase rather than diminish reverence for the real art and encourage more people to get out to museums and galleries.
