Bill Gates Quotes
It's not manufacturers trying to rip anybody off or anything like that. There's nobody getting rich writing software that I know of.
Quotes to Explore
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If other people want to say that I'm the next person in boxing, then that's up to them. That's their opinion.
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Unlike the Marxists, I have no mind block against the U.S.
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I never desire to converse with a man who has written more than he has read.
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I'm only 26 - I don't know anything about life yet. Life is like a puzzle and my pieces are spread all over the world.
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I enjoyed working as a model a lot as it let me travel and I got to do some really interesting projects.
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Most of Google's home technologies have failed to catch on in a major way.
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I did about a 100 concerts this year. All over the United States. We're cutting back next year to about 40. We generate money for an organization called Mercy Corps.
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Disrespect toward Jesus, as we have seen all too often in our society, is very offensive to Muslims.
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The most emphatic place in a clause or sentence is the end. This is the climax; and, during the momentary pause that follows, that last word continues, as it were, to reverberate in the reader's mind. It has, in fact, the last word.
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People who live in a glass house have to answer the door.
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Making my class laugh and getting in trouble. I was the class clown.
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Bob Rubin was opposed to signing the welfare bill. He's not exactly what I call a flaming liberal.
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The four walls of paper are like a prison because every idea wants to spring out in all directions - everything is connected with everything else, sometimes more than others.
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I love 'Chaplin'; I mean I really love 'Chaplin.' I just think there's a grace and an elegance that's almost never been matched.
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You just have to go to bat and take a swing. And if you're not right for a part, or it goes to a British man, they may remember that you showed up, knew your lines and were good. And maybe they'll call you in for something else.
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Dance has always been my number one. I started when I was seven years old and I've had the opportunity to work with some really amazing artists.
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I save everything. I have these carefully organized file boxes. Somewhere in there is a section of the 'New York Times' where I wrote 'The Border Guard' in the margin.
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I can't stop people from writing imaginative stories about me entering politics.
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Different critics go to different lengths to disagree with that sentiment, but ultimately, they're the person experiencing this art, and whatever judgment or taste they use is internal, and says more about them than about the record they're writing about.
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With showrunning, the more successful you get, the more you're pulled away from the writing.
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I pick up on styles, way before they get popular, pretty much before young kids do. I see 'em coming.
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That mental grind is the same, and this show has to be approached with the same mentality. Rest is paramount. Taking care of my voice and making sure I have the right foods in my body is paramount. Making sure I'm doing my technique work and staying in the script is all substantial. Continually pushing myself to find different nuances in the character on a nightly basis. This is definitely boot camp for me all over again, and Broadway in general is a boot camp for all actors.
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It's not manufacturers trying to rip anybody off or anything like that. There's nobody getting rich writing software that I know of.
