J. Robert Oppenheimer Quotes
It's not that I don't feel bad about it. It's just that I don't feel worse today than what I felt yesterday.
Quotes to Explore
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Some people ask me, Do they put aging makeup on you? It's just this very nice street makeup.
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Certainly our gay and lesbian brothers and sisters need to be supported in living out their call to holiness.
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In 2009, during my inaugural address, I expressed the importance of unprecedented partnerships. Since then, Utah's government, business, and education leaders in communities statewide have worked together more frequently and with better results than ever before.
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To be successful in struggle requires remembrance of the Creator and the doing of good deeds. This is important because successful struggle demands that there be a kind of social consciousness.
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I've always been busy, but I wasn't always successful.
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Our military men and women are our greatest national treasure. They should be safeguarded as such upon their return.
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Jokes that are gratuitously offensive are synonymous with bad writing to me. I'm offended as a writer first and as a person second.
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I can get obsessed by anything if I look at it long enough. That's the curse of being a photographer.
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The best way poor people can come out of their poverty is to get on the global highway, not on some dirt side road.
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But everything of value about me is in my books.
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I would rather my films be well-known than I be well-known.
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Facebook and Instagram are spiritual brothers.
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Capital is dead labor, which, vampire-like, lives only by sucking living labor, and lives the more, the more labor it sucks.
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I come from nowhere Brooklyn, New York. Williamsburg, Brooklyn. These days Williamsburg is kind of a hip area, but when I grew up there, the taxi drivers wouldn't even go over the bridge, it was so dangerous.
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How many authors are there among writers? Author means originator.
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What came out of 'Ocean's Twelve' is actually great because you do one 'Ocean's Twelve,' and you're more known around the world than if you did 20 years in the French cinema industry.
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All you would hear every night on the news was that somebody had been shot dead in a certain part of Belfast. We lived opposite a judge, and there were always soldiers crouched down in our garden. We'd sit and talk to them, and I even used to sing to them!
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Verse satire indeed is entirely our own.
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'Luke Cage' is about a reluctant superhero who lives in the shadows in Harlem. He has to decide if he's going to step up and fight for the heart of the city and defend the people against Cornell 'Cottonmouth' Stokes, my character, who kinda wants to keep everything in order and intact. I'm the criminal element in the story.
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My life's a wreck, and I love it.
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For good or bad, there is a certain level of generalisation when it comes to my work. I want to break that perception. My decision to direct 'Bombay Talkies' or to present 'The Lunchbox' is an attempt to do that. These are the films that gel well with my sensibility, and it's unfortunate, it's not the perception out there.
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I would break a lot of cymbals. You whack the cymbals hard enough, and they will crack in half. Drums are not actually as sturdy as they look. They're actually somewhat fragile instruments.
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It's not longer 'Look what I can do, I can do it better then you.' It's just I am.
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It's not that I don't feel bad about it. It's just that I don't feel worse today than what I felt yesterday.
