W. Eugene Smith Quotes
Up to and including the moment of exposure, the photographer is working in an undeniably subjective way. By his choice of technical approach, by the selection of the subject matterand by his decision as to the exact cinematic instant of exposure, he is blending the variables of interpretation into an emotional whole.
Quotes to Explore
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I'm an actor, and I like having attention, I guess. There's a reason I like being on stage. There's a reason I like being in front of a camera. It's that interaction.
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We talk about feelings. And about sex. And about bodies, and their gratification, violation, repair, decoration, deferred, maybe permanently deferred, mortality. Feelings are a bodily thing, and respecting them is called, is, kindness.
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I don't even know what sound is, much less what it's for. It isn't to make money that's for sure. I've never made any.
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Greetings and death to our enemies.
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What I'm interested in is the fascinating image of young leaders... you know, young people leading in different fields. You see athletes and people in gymnastics, where the requirement is that you are supple and very, very young... 11... and by the time you're 14, you're already over the hill.
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With bikes, it is absolutely the case that you will get what you pay for. Invest in quality so it will endure wear and tear.
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Leaving Egypt and the people I loved so much, and the environment I liked, was definitely worth it, because I also have great love for medicine and science.
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My voice, I have to say, is kind of miraculous because I was born with a cleft palate.
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It can't be any simpler: the farewell is going to be on the Champs-Elysees.
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I don't want to be someone else.
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For my life, I need to make my own choices.
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I think it's the height of patriotism to continue to exercise your right as a citizen and to hold your government to account. Isn't that what the very essence of democracy is about?
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Ruby inherited the Perl philosophy of having more than one way to do the same thing. I inherited that philosophy from Larry Wall, who is my hero actually. I want to make Ruby users free. I want to give them the freedom to choose.
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I think most people have creative ideas and have very strange, unorthodox impulses of things that they can do with their lives. I've had many of these over the years, but I decided the more important question was, 'When did I start calling this art?'
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In reality, I've always been an actor - since I was a kid. I did theater growing up in New York. I was always in the plays in school. I was either going to be an actor or an athlete or a soldier. Those were kind of the three paths that I always kind of embarked on.
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Being made in the image of God, man was the crown of creation.
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I find the whole concept of women screaming at me so odd. It's very flattering, but I don't think I will ever consider myself to be a sex symbol.
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I don't want any romantics to go into the military. I'm not a pacifist. I think we need a military, and the better one we have, the better off we are. I don't want kids going in there thinking that it's John Wayne on Iwo Jima. That's not healthy.
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Wanting to do it was much more powerful than the fright.
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The first thing I did as a child was draw. I wanted to make animated movies. I think Disney's 'Cinderella' was the first movie I ever saw. 'Peter Pan' was the first movie I ever saw in the movie theater. I grew up with 'Dumbo' and 'Pinocchio' and 'Sword in the Stone.' Those were the movies I wanted to make.
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It took me a long time to understand my water lilies.. .I planted them for pleasure, and grew them without thinking of painting them.. You don't absorb a landscape in a day.. .And then, all of a sudden, I had the revelation of the enchantment of my pond. I took up my palette.
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I went out every single night so I was never alone with my stepfather. At 12, I stopped going on holiday with them. The times I was alone with him I always made sure I was all covered up.
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Just when you think you know something, it gets turned around and challenged in some way. But those changes are welcome because you end up learning more.
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Up to and including the moment of exposure, the photographer is working in an undeniably subjective way. By his choice of technical approach, by the selection of the subject matterand by his decision as to the exact cinematic instant of exposure, he is blending the variables of interpretation into an emotional whole.
