Annabelle Selldorf Quotes
Architecture is about aging well, about precision and authenticity. There is much more to the success of a building than what you can see. I'm not suggesting that gestural architecture is always superficial, but solid reasoning has its place.
Quotes to Explore
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A mother's arms are made of tenderness and children sleep soundly in them.
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The reason I did the book about holidays is that you're a different person on holiday. You're sleeping somewhere unfamiliar, knocking about with people you've never met and for 10 days you're someone else. You're out of your comfortable zone.
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I think that a lot of women that know they're going to be part of history somehow decide to have a character to be remembered by.
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Everyone is born with genius, but most people only keep it a few minutes.
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Software-industry battles are fought by highly paid and out-of-shape nerds furiously pounding computer keyboards while they guzzle diet Coke. The stakes aren't very dramatic. Life? Liberty? The pursuit of happiness? Nope, it's about stock options.
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When I graduated, I was director of my school's sketch comedy group, and I knew that I wanted to be writing and performing my own sketch comedy. It kind of made me want to do my own one-person sketch group.
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I've seen descriptions of advanced TV systems in which a simulation of reality is computer-controlled; the TV viewer of the future will wear a special helmet. You'll no longer be an external spectator to fiction created by others, but an active participant in your own fantasies/dramas.
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You never want to sound bitter about critics, because they're entitled to do their job, too, but I place much more trust in a person who I can look in the eye and someone who I know I share some kind of taste with - so my friends, for instance. For me, a critic is unknown and therefore irrelevant.
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Having refuted, then, as well as we could, every notion which might suggest that we were to think of God as in any degree corporeal, we go on to say that, according to strict truth, God is incomprehensible, and incapable of being measured.
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As goes California, so goes the rest of the nation.
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I approve of anyone wearing what the establishment says you must not wear.
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In '94, we made the deal during collective bargaining that wasn't the right deal, just to save the season. Allowing the 'in the crease' rule, the foot-in-the-crease rule, we should have not done.
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There has got to be more to life than being a really, really, ridiculously good actor.
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I've made club songs, and I've made radio songs, and I've made the car songs.
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The eyes of the world are fixed on the U.S. to see if we have the political courage and moral sense to solve our debt crisis.
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Very few of the early Italian humanists were really humane.
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I am followed in department stores. I have walked in dressed professionally or dressed in jeans, and I have walked into stores, and instantly, security is on my back.
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What makes me happy is just curling up in with my mom in her bed and watching a marathon of 'CSI' and 'Grey's Anatomy' episodes with pints of ice cream.
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You're convincing these big, tough football players to wear what was essentially women's lingerie. There was a little bit of a Jedi mind trick that needed to take place. The product really spoke for itself once guys felt it and touched it.
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Once you achieve a level of success... you learn, something tells you, 'Man this ain't even for you.' You got to share with the people. You got to inspire the people.
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Of course there is no formula for success, except perhaps an unconditional acceptance of life, and what it brings.
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As a member of the audience I don't like it that I can't see what's going on in the eyes and in the face and in the most subtle responses of a performer when I'm more than a few rows back. I find it very frustrating.
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I work as hard as anybody will ever work and I like that. That's why I've been successful and that is when I feel good about myself. If I do my damnedest and don't succeed, I feel good about the effort.
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Architecture is about aging well, about precision and authenticity. There is much more to the success of a building than what you can see. I'm not suggesting that gestural architecture is always superficial, but solid reasoning has its place.
