Ludwig Mies van der Rohe Quotes
It is a hopeless endeavor to make the form and content of earlier architectural epochs usable for our time; in this, even the strongest artistic talent must fail. We see repeatedly how the outstanding builders fail to achieve an effect because their work does not serve the will of the age.
Quotes to Explore
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I wear the Jewish star, but I'm not - I haven't converted to Judaism, and I'm not - I'm not - I'm not Jewish in the conventional sense because the Kaballah is a belief system that predates religion and predates Judaism as an organized religion.
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I started writing half a paragraph of a mystery novel, half a paragraph there, and they were terrible.
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Once I looked into a mirror at my face I felt like it was completely convincing. I was Salieri.
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The performance of international institutions will be symptomatic of the domestic political priorities of influential member states. International institutions don't really have a life and a mind of their own.
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I have this kind of mild nice-guy exterior, but inside my heart is like a steel trap.
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This is the people's money, and we need to use it on their priorities. Increasing the pay of members of Congress is not their priority.
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I remember taking my mom and dad to the premiere of 'The Inbetweeners Movie' and being really nervous. My mom was like, 'Laura, don't worry: I've watched all of the first series of the TV show, so I understand what this is going to be like.'
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I think with 'Skinwalkers,' the success of it spoke for itself. Meaning a lot of people wanted to see something new on television.
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Despite my so-so-experience with the iPhone, I do love its touchscreen technology, a feature I miss with my standard-issue BlackBerry.
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Comedy is a great weapon of attack. It's not a great weapon of support.
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My mother helped me identify myself the way the world would identify me. Bloodlines didn't matter as much as how I would be perceived.
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I'm not a good writer. It takes me a long time to get there. I write and then rewrite and revise and do it over and over until I'm satisfied.
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It's well worth making your own harissa, but there are some very good commercial varieties.
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I love meat - I'm Cuban; I grew up eating meat, platanos, and arroz con pollo. I don't believe in starving yourself, but sometimes I do cleanses and diets to prepare for a role.
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I haven't had that many weird encounters with fans, thank God.
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There are a lot of historical novelists who do the research about the clothes and maybe even the eating utensils, but they're basically taking modern people and putting them in old drag - it's sort of the 'Gone With the Wind' approach.
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I should have liked to get married, but over many decades I have lived essentially alone. I go to sleep when I'm tired, get up when I wake up, have my food prepared when I'm hungry. I can't bear the thought that I'd have to coincide, make an effort.
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My parents were perfectly open-minded about everything. They never tried to convince us of what was true or what wasn't true in their minds. We were just presented with the information that was around and pretty much allowed - though, I mean, we knew how they felt. We knew they didn't go to church. So obviously that had an effect.
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I look at myself, and I see a Spanish person who's trying to be understood by an English-speaking audience and is putting a lot of energy into that, instead of into expressing himself freely and feeling comfortable.
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After a certain age our memories are so intertwined with one another that what we are thinking of, the book we are reading, scarcely matters any more. We have put something of ourselves everywhere, everything is fertile, everything is dangerous, and we can make discoveries no less precious than in Pascal's Pensées in an advertisement for soap.
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Everything in life can be tiring and tiresome if we don't have the ability to look at it as if it's the first time we've ever done it.
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I tell the same stories all the time because I like them!
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Nick Cardy's work helped define some of the things we see in comics today and take for granted. He broke out of the mold in terms of covers and layout and created a truly interactive experience for the reader that directly points back to his time with the Eisner studio.
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It is a hopeless endeavor to make the form and content of earlier architectural epochs usable for our time; in this, even the strongest artistic talent must fail. We see repeatedly how the outstanding builders fail to achieve an effect because their work does not serve the will of the age.
