Ludwig Wittgenstein Quotes
The Sabbath is not simply a time to rest, to recuperate. We should look at our work from the outside, not just from within.
Quotes to Explore
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I'm optimistic about people and about the planet and about nature. I think it's resilient, like people are.
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We are not accepting that countries just get to sit back and let the United States meet threats that are going to roost in their worlds just as easily as they are in ours.
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They think my life is glamourous. It's not true. I obviously get to come in and do radio interviews. That's the glamour. But other than that, I eat and sleep and that's it. Eat, sleep and do shows.
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I was a tough kid with the jeans, the concert shirt with the flannel over it, the comb in the back pocket and the feathered hair.
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Whatever you got you have to accentuate. I ran my female card up and down the ladder my whole career, because I was in a man's world. It was worked by women but owned by men. I was the only female owner in my field at that time.
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The two most important things in my life were academics and sports. I had to do my schoolwork first.
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Though we may know Him by a thousand names, He is one and the same to us all.
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You see, I don't draw from life at all, but I do look out of my window a lot.
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Can a moment of madness make up for an age of consent?
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To be well turned out, a woman should turn her thoughts in.
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I always appreciate people's opinions, but sometimes I have to take a step back and remember why I'm writing and what I want to do with it. Shutting out the voices is difficult but it's been good for me.
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Schizophrenia beats dining alone.
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A good catchword can obscure analysis for fifty years.
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I am interested in mathematics only as a creative art.
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I have so much music inside me I'm just trying to stay afloat. I don't tend to write for a particular band - you have to just write the songs and then let God into the room and let the music tell you what to do.
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As an actor, you don't want to play a one-dimensional character.
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I love a mask. It's why I've got a thing about good writing. When you're acting, you're going into someone else's work. You're behind his words; it's not you.
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I wish I wasn't so in love, wasn't so interested, in the Internet. I wish I spent less time online and more time outside and in my head. Writing requires solitude and deep, deep daydreaming, and the Internet just kills that - its lure is toward the external; it asks you to flit from place to place.
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I think 'Voldemort' is definitely the scariest villain.
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Polyphonic prose is a kind of free verse, except that it is still freer. Polyphonic makes full use of cadence, rime, alliteration, assonance.
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Moments are incredible, but in my fantasy mind I see a Globe company which is renowned throughout the world for what it does with pure storytelling. So that people come and say: it's not just the building, it's the only place you can hear this kind of work.
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I've known those pieces ever since I was about 16 or 17; I also at that time was taken to meet Charles Ives whom I got to know fairly well. He was the one who wrote a recommendation for me to get into college.
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I worked with James Orange and Hosea Williams as a teenager, and he's portrayed in the movie by Wendell Pierce. So, for me to be able to come in, 20 years after working with them as a teenager, and to portray Reverend James Orange in 'Selma' is mind-blowing.
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The Sabbath is not simply a time to rest, to recuperate. We should look at our work from the outside, not just from within.
