Annie Leibovitz Quotes
I wish that all of nature's magnificence, the emotion of the land, the living energy of place could be photographed.
Quotes to Explore
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I always went with my agenda, I just couldn't execute it.
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I cook British food, but it doesn't mean I'm jingoistic about it. People can cook very good fusion food.
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Religious people often prefer to be right rather than compassionate. Often, they don't want to give up their egotism. They want their religion to endorse their ego, their identity.
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Being a 911 operator means balancing seemingly contradictory skills. On one hand, operators have to be fanatically precise and well-organized. On the other, they must be able to establish rapport with panicky callers.
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I always carry lip balm and lipstick. Lipstick is a very important beauty product because I find that lips are the most beautiful feature of anyone's face.
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I'm just very wary that once you start military operations in any country, it's very difficult to predict what the outcome is.
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Empathy is really the opposite of spiritual meanness. It's the capacity to understand that every war is both won and lost. And that someone else's pain is as meaningful as your own.
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I've got ten pairs of trainers. That's one for every day of the week.
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The position is: the Gaelic language is no longer the native language; it is dead, yet food is being brought to the graveyard.
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The most precious things in speech are pauses.
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Scientists at MIT and engineering schools all across America say that they could improve the fuel economy standards for the existing set of vehicles by 10 miles per gallon using existing technology, without compromising safety or comfort at all.
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There are epic downsides to living a somewhat public life. The upshot of that is there's nothing to hide. It's a relief in a way. There's nothing about me that can't be said.
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Fighters today are much bigger, stronger and quicker and not only that but referees, judges and doctors back then were very strict and if your head got busted up the fight would be stopped.
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Writing wasn't about making money. I wanted to find fulfillment in writing and telling stories, and that's what's driven me.
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Writing is not a matter of choice. Writers have to write. It is somehow in their temperament, in the blood, in tradition.
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'Where is your million-dollar shirt?' I'm like, 'It's underneath these $25 Hanes T-shirts I've got on.'
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I used to wear miniskirts with my GB top, and sparkly sandals, and the boys would be like: 'Oh my gosh, this girl cannot be serious.'
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Somehow I got the feeling at an early age that I had to do something important with my life.
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Since I was a kid, I'd wake up every morning hearing a voice say, 'You're the greatest rapper ever.' I'm trying to prove that voice right.
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My poems tend to have rhetorical structures; what I mean by that is they tend to have a beginning, a middle, and an end. There tends to be an opening, as if you were reading the opening chapter of a novel. They sound like I'm initiating something, or I'm making a move.
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All of the material for 'The Fine Line' was created via improvisation with my partner, but not in front of an audience. We'd continue to refine it in front of an audience based on their responses until it was set and scripted.
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Woman's sexuality is disruptive of the dully mechanical workaday world, in which efficiency means uniformity. The problems of woman's entrance into the career system spring from more than male chauvinism. She brings nature into the social realm, which may be too small to contain it.
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I was loved as a kid; I was raised with more love and emotional support than most folks could wish for... my memories aged nought to ten... are all bound up together in a mesh of innocence and fun.
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I wish that all of nature's magnificence, the emotion of the land, the living energy of place could be photographed.
