Luke Perry (Coy Luther Perry III) Quotes
There's a big difference between me and a real, legitimate working hand, or a world-champion rodeo cowboy. I play 'em, and I aspire to be like that, but those guys are tough.
Quotes to Explore
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I'm a character actor.
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I have an ambition to write a great book, but that's really a competition with myself. I've noticed that a lot of young writers, people in all media, want to be famous but they don't really want to do anything. I can't think of anything less worth striving for than fame.
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I have changed so much as an actor over the years.
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Americans are really obsessed with their teeth being white and straight, aren't they? I saw this little girl the other day with one of those whole head braces. Elastic all the way around! How traumatizing for a child to have to wear one of those! You look like a monster.
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'RoboCop,' when that came out, was like the best comic book movie ever, and it's not based on a comic book.
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I lost 'The X Factor,' and I lost 'Deal or No Deal' twice. I'm good at losing game shows.
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I never wore a single fedora filming 'L.A. Noire.' It took about an hour and a half to do the hair - it was a very precise process.
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The crown of literature is poetry.
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I have this theory that people in Hollywood don't read. They read 'Vanity Fair' and then consider themselves terribly well read. I think I can basically write about anybody without getting caught.
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Why can't somebody give us a list of things that everybody thinks and nobody says, and another list of things that everybody says and nobody thinks?
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When you go into a game on offense, you make a couple moves and see what the defender is going to do. Then you pretty much can figure out what he is going to do against you - whether he carries his hands low or high, whether he is bumping or pushing, those type of things.
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Eventually somebody will want me, and there will be a role that is mine.
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I am very career minded, and I think my personality is more suited to America. I am a working mother.
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A single lie destroys a whole reputation of integrity.
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In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?
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A lot of artists don't like the sound of their voice. They're put off by it.
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The most important thing to realise is that everyone is capable of telling a story. It doesn't matter where we were born or how we grew up.
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It is no surprise that companies do not often respond to moral pressure alone. We need to hit them hard in their pocketbook and on their balance sheet. We need to show them that their stock prices will be affected if their actions encourage Iran's nuclear weapons ambitions.
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I feel that in spite of having a big launch with 'RNBDJ' and the film doing well for me in terms of getting appreciation, I don't think it made me the next big thing.
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I am attracted to characters who are in worlds where they don't belong and who have great ambitions that they imagine will somehow reconcile themselves with the world and make things right.
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It seems very safe to me to be surrounded by green growing things and water.
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What's fulfilling is being happy and being able to help other people. The simple things.
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There's a big difference between me and a real, legitimate working hand, or a world-champion rodeo cowboy. I play 'em, and I aspire to be like that, but those guys are tough.
