Barun Sobti Quotes
Quotes to Explore
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I believe very strongly in the value of having a diverse team around me that comes from very different backgrounds and different points of view.
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The key is that I'm trying to keep growing and trying to keep learning and deepen my connection in every way, in my life, in my work. That's what I do when I look at a role.
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I cried like a baby. When no one could see me or hear me. Not because I feared what cancer would do, but because I didn't want the disease. I wanted my life to be normal, which it could no longer be.
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I have one car that works; it's fast and safe: an Audi 5. And I have two old cars that never work: an old Peugeot convertible, and an Alfa Romeo Giulia.
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As a grandson of farmers in downstate Illinois, I have long admired the dedication of farmers to their work and have written about the role of agriculture in American innovation.
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I work in the film business, where schmoozing is an art form, lunch hour lasts from 12:30 until 3, and every meeting takes an hour whether there's an hour's worth of business or not.
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I do that mostly because I believe that the fantasy business is in terrible trouble right now, for several reasons, not the least of which being the almost Democrat vs. Republican mentality of readers on the Internet.
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I like Alexander McQueen's work a lot: he's always pushing boundaries, and he's rough around the edges.
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I'm attracted to playing things that I find difficult, just because it's a journey that is much more interesting.
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I think great artists have no time to waste with having disproportionate egos and irrational requests. They're too focused on their work to actually lose themselves in hysterical spirals where they become monsters or tyrants.
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I work with the Humane Society a lot and have three rescue cats.
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So then you have to say to yourself: Do I want to be rich, or do I want to do good work?
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I'm an immigrant myself. It was a tough road to come to America and work.
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The Cuban model doesn't even work for us anymore.
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I was growing up with a single mom who'd be at work when I came home from school. So I'd just turn on the TV. I grew up watching old Clint Eastwood westerns. I adopted him as one of my male role models.
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I am happy with the response I am receiving for 'Kaabil.' Audiences' love is what we work for, after all.
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Between work and the kids, I never see anyone anymore. I mean, when I first met with ABC last spring, and they asked me what I'd been doing lately, I said: 'Gee, I have two kids. I'm usually covered with food, wrinkled and feel guilty all the time.
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I've never seen hard work fail.
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I don't make judgments about my own work, and I don't analyze it; I just let it happen. That applies to everything I've done.
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Another glorious Sierra day in which one seems to be dissolved and absorbed and sent pulsing onward we know not where. Life seems neither long nor short, and we take no more heed to save time or make haste than do the trees and stars. This is true freedom, a good practical sort of immortality.
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We are on a crazy strategy with our central bank. It's good to have alternative ecosystems. It's not that the dollar will go away, but we need other options if it crashes or wildly inflates.
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People who try to commit suicide - don't attempt to save them! . . . China is such a populous nation, it is not as if we cannot do without a few people.
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I believe that being honest to oneself and one's work is all that matters.
