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I write reviews of science books for the Boston Globe, so I like to give science books.
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Sometimes I wake at 2 A.M. worrying that my great-granddaughter will have to march through her distant, broiling future gathering all the plastic I ever disposed of.
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In my students, I'm always dispelling the notion that characters come like a light bulb over the head in cartoons. For me, it's like a shapeless big lump of clay. You just build it into something, and then you step back and go, 'That's not right,' hack it apart, put out a new arm, and say, 'Maybe this will walk around and work.'
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The most amazing gift about being a novelist is that you get to pursue your curiosity every day.
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I had the little Radio Shack crystal radio, and then my aunt Judy bought me a shortwave radio. It was amazing to me: like on these really clear nights - I lived in Ohio - I could get Texas or Florida. You felt like the world was a smaller place.
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What I tell young writers is to find those things that you're so passionate about that your energy doesn't run away.
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Hour by hour, minute by minute, I make decisions that seem like the right things to do at the time but which prevent me from reflecting on the most significant, most critical fact in my life: Every day, I participate in a system that is weaponizing our big, gorgeous planet against our kids.
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I've always been so interested in both the visual beauty of mollusks and the tactile feel of them. As a kid, I collected them all the time.
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Growing up, I loved to play. Writing was a natural outtake of play. I realize now, having kids, that maybe that's unusual. Living out in the middle of nowhere, I entertained myself by writing.
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I was a nerdy kid.
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All around us right now, tucked into the valleys and along the coasts, bookshops glow in the winter light. Think of them like singular, magical, and multi-dimensional recipe boxes. They wait for us to pluck out a card, to stand over the stove, to start cooking.
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Sometimes, when the neighborhood is silent and the sky is aswarm with the stars and the mind is swirling like a flushed toilet, a person gets to doubting himself. In the hardest times, the stand-at-the-kitchen-sink-and-stare-into-the blackness times, I put on Bob Dylan's 'Tomorrow Is a Long Time.'
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I think some people think that writers read and read and read, get the information, and then write. That's not how it works. Often, you write yourself into a dark place where you don't know what you need to know, so you go get the information.
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Basketball games - and seasons - make great narratives; they feature distinct acts, heroes and villains, and guaranteed resolutions.
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Fridays after school, especially when the weather was lousy, Mom would take me to the library. She'd let me check out whatever I wanted, and I checked out a lot.
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My mom is a science teacher in high school, and one of my brothers works in optics at Bell Labs, and so I was always surrounded by it.
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We only get 60 years, if we're really lucky, as adults on earth, and why not try to wake up every day and learn something and talk to people?
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I'm terrified of cliches.
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I do fish. I think there is a connection between thinking and fishing mostly because you spend a lot of time up to your waist in water without a whole lot to keep your mind busy.
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'Research,' for me, is a big word that encompasses a lot of different activities, all of them based around curiosity. Research is traveling to places, or studying snowflakes with a magnifying glass, or excavating one's memories. Research is walking around Hamburg with a notebook.
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For me it was perfect, because it wasn't a very competitive environment, and it was a studio program. They basically send you off, and say, bring us some work, and we'll help you improve it. It really rewarded self-discipline.
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Every artist wants an audience, and it's incredible to me how books take on a life of their own and reach people whom you could never meet. That's what got me interested in writing in the first place.
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Without always meaning to, I write really long short stories, 60-pagers, 90-pagers, pieces of fiction that are too long for all but the bravest magazines to print, and too short for all but the bravest book publishers to publish.
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Maybe scarcity isn't always a bad thing. Maybe scarcity is something to seek out, to fabricate for oneself.