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Short stories are not maybe the biggest deal in our culture anymore.
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It took me about three years to write About Grace. I wasn't teaching two of those years, so I was working eight-hour days, five days a week. And it would include research and reading - it wasn't just a blank page, laying down words.
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I guess whatever maturity is there may be there because I've been keeping a journal forever. In high school my friends would make fun of me - you're doing your man diary again. So I was always trying to translate experience into words.
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I'll read anything Anne Carson writes, anything J. M. Coetzee writes, and anything Cormac McCarthy writes. I'll drop whatever I'm doing to read a new Mary Ruefle essay.
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The only books I give up on are texts where the writer's attention is concentrated so heavily on narrative questions that his or her use of language becomes careless.
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Twain's 'A Connecticut Yankee in King Arthur's Court' made me long to wake in an era when my Casio wristwatch would strike folks as sorcery, and Martin Amis's 'Time's Arrow' wrecked my assumption that all narratives had to proceed from Then to More-Recently-Than-Then.
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It wasn't until I was 26 or 25 when I started sending work out to magazines.
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In my early 20s, a friend and I worked for a few months on a sheep farm in New Zealand. Working with ewes, I learned a lot about the power of wool - how it keeps you cool when you're hot, warm when you're cold, dry when you're wet.
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My goals aren't really commercial success.
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But then of course you reach a point where you have to say, I've got to figure out how this book's going to end. Otherwise, you're going to write yourself into so many dead-ends.
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My ribs ache from all the texts I'll never make time for.
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I have always felt that it's a little artificial to divide the sciences and the arts on college campuses.
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Supposedly, some writers work in rowdy coffee shops or compose whole novels to Megadeth, but when I write, I wear a pair of chainsaw operator's earmuffs.
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Travel definitely affects me as a writer.
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Fiction writing is just an excuse to go discover interesting things.
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I listen to podcasts while I run in Boise's foothills.
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We live through life, but we live through art, too. And in art, as in life, nothing is generalized. No one thing is a copy of the next. Everything is individual.
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We Americans are churning through fresh water at an alarming and unsustainable rate.