Anthony Doerr Quotes
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Basketball games - and seasons - make great narratives; they feature distinct acts, heroes and villains, and guaranteed resolutions.
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For me it was perfect, because it wasn't a very competitive environment, and it was a studio program. They basically send you off, and say, bring us some work, and we'll help you improve it. It really rewarded self-discipline.
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Sometimes, if you wander long enough out-of-doors, you look up and find yourself in a suddenly devastating place: on a glittering slab of granite, say, hanging a thousand feet above a mountain lake.
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Fiction writers have long turned to winter to advance bluer palettes, slicker surfaces, and sharper contrasts. The sky darkens, the wind picks up, and flakes start to fall. Horizons shrink. Couples bicker. Cars slide off roads. Obliteration tends to loiter between the sentences.
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Maybe scarcity isn't always a bad thing. Maybe scarcity is something to seek out, to fabricate for oneself.
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I feel like it has gone very fast for me, but I feel like it wasn't instantaneous, at all. I was getting a lot of rejections. I just got very lucky and it happened quickly for me. I don't feel like I'm a prodigy or something.
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We live in a culture that venerates scores. We affix numbers to how much fat is in our mochachinos, how quickly our telephones suck information from the air, how much pain we're in. Reading, too, has become a skill to quantifiably assess.
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I read Stephen Crane's 'The Open Boat' when I was 11.
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Sometimes my readers ask me what else they should read, and I recommend Sebald.
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You and I can go on YouTube and learn how to fix a tractor engine or learn Farsi. Groups are using those tools to recruit young people into a climate of hatred.
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I never played inside as a kid - even in the rain I'd go out.
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I've been getting into Nick Drake lately, the folk singer. Sad, gorgeous stuff.
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The only books I give up on are texts where the writer's attention is concentrated so heavily on narrative questions that his or her use of language becomes careless.
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I guess you could say I've been writing all my life.
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The world is so fundamentally interesting that it makes me fall in love with it a dozen times a day.
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My goals aren't really commercial success.
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Science and literature are both ways to ask questions about why we're here.
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Pretty much every night of their lives, my 8-year-old sons have absorbed themselves entirely in books. As toddlers, they pointed out pictures, made conjectures; lately, we find them in their bunk beds embarked upon two-hour comic-reading benders.
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Short stories are not maybe the biggest deal in our culture anymore.
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We buy a copy of 'Gravity's Rainbow,' say, and we carry our copy home. We open it; we fall into it. And it is here that the word 'copy' fails. Because what I experience when I read 'Gravity's Rainbow,' or 'Beloved,' or 'The Moviegoer,' is not at all a 'copy' of what you experience when you read the same novel.
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You don't say, I'm going to be a writer when I grow up - at least I didn't.
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Travel definitely affects me as a writer.
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My parents would drive us to Florida every spring in this big old, rusy Suburban, and we'd collect stuff on the beach for our aquarium back in Ohio; we had this big saltwater aquarium back in Ohio. Every time we found anything, any mollusk, my mom would bring out the guidebook and quiz us on what it was, so that stuff was built in early.
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It wasn't until I was 26 or 25 when I started sending work out to magazines.