Marc Benioff Quotes
Quotes to Explore
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Many of the songs on Undertow were written at the time Opiate came out.
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After I was 70, I realized that, 'Okay, I would like to have another 50 years, and I probably could.' But part of me is saying, 'Maybe I'm not going to have that much time.'
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The work that we do during the winter is very important; we have a new bike and it's important to develop it during this time, and we start with this test.
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I don't want to miss out on the chance of having a good time.
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I actually spend very little time listening to any new music.
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We had a few non-fiction books at home, but my dad was of the opinion that fiction was a complete and utter waste of time because it wasn't real - so what was the point of reading it?
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When people talk about the impact of mobile dating, everyone focuses on real-time meeting - this idea that my pocket will vibrate every time a hot girl walks by. That's important. But it's not transformative.
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I firmly believe, only because I've been doing this for so long, every show takes three years. 90% of them don't get three years. It just does. It takes a long time to build a community, build a friendship with your characters. It's hard for people to grasp on and make them care about you.
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I don't know how to speak to celebrities. Every time I talk to Alan Menken, I say something stupid and I have to apologize.
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He who calls a person a fascist for opposing independence is not only wrong but putting themselves on the same level as those who call us Nazis for wanting independence.
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I want to be a better writer. I want to learn and grow, to know how to tell stories in a different and more challenging way. I've learned it doesn't get easier each time. It actually gets harder.
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I wasn't really the most charming person, socially – it took me a long time to develop my people skills – but the one place I was always comfortable was onstage, acting or singing.
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Music is the best means we have of digesting time.
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I definitely use my music to kind of alleviate my stress and get me through specific moments in time where I'm just being really tough on myself.
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So she went into the garden to cut a cabbage-leaf, to make an apple-pie; and at the same time a great she-bear, coming up the street, pops its head into the shop. 'What! no soap?' So he died, and she very imprudently married the barber.
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Every uneducated person is a caricature of himself.
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Edible Arrangements will have to beat back some rivals, including a handful of mom-and-pop vendors and a company in Pennsylvania called Incredibly Edible Delites. And there's always the chance that a deep-pocketed national florist like FTD will decide that pretty produce is profitable and jump into the mix.
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Whatever's going on with me at the time of writing is going to find its way into the piece. If that doesn't happen, then what the hell am I doing? So if I'm writing 'Inglourious Basterds,' and I'm in love with a girl and we break up, that's going to find its way into the piece.
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Time washes clean, love's wounds unseen.
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I don't want to put my fate in country music fans; I'm too stubborn.
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I had a bad experience doing public speaking at school. I had to talk about a pen for five minutes and it was really hard work. I couldn't wait to get off the stage.
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I'm not a conventional guy. I've never been a conventional guy.
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One person at a time, one company at a time.
