Kara DioGuardi Quotes
Quotes to Explore
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It is hard to watch myself. I'm hypercritical, and it's difficult to watch a performance when I may end up being at odds with it - wishing I'd done something differently or that they had edited it a certain way.
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I can think of no one that my grandparents knew, that told me stories and that I experienced myself, had any sense of social inferiority growing up in segregated Washington. None whatsoever.
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If I really believe that visual representation and narrative are ways to convey important, complex ideas, and if the world is gravitating toward this form, then geez, I better do it myself. I want to do it myself.
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Every now and then I read a poem that does touch something in me, but I never turn to poetry for solace or pleasure in the way that I throw myself into prose.
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A lot of times, I'm singing things that are observational and am definitely including myself.
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I'm not on fire for the Lord, so I tried to make myself generate this fire for the Lord.
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I read comics and I did science, and never really put them together until I accidentally found myself in the middle of one.
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I chose to present myself as one who comes from among the people, and I can be touched by their pain because I have my own.
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I submerged myself in all the information that I could find about Idi Amin. I mean, before I left Los Angeles, I was studying Kiswahili. I was working on the dialect. I was studying every documentary and tape of him that I could find - not just visual, but also audiocassettes, even in other languages when he was speaking in other dialects.
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When I was 16, I filmed an episode of 'Full House' where my family goes to Disney World. I remember putting on baggy overalls just to hide my stomach. When I watched it, I was pretty disappointed and bummed out looking at myself... I didn't feel good about my own body.
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I put pressure on myself all the time. I felt it so much with 'Sax,' but I had to just let go and enjoy it.
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I'm always trying to do the impossible to please people. It comes from not being secure in myself and not looking at the things within I have to fix. Sometimes you keep going because you don't want to face the truth.
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I love talking about myself.
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For the last few years I've tried to force myself to write at least one page every day, which doesn't sound like much but it's actually pretty hard to manage. Because I'm not allowed to do a make-up day. I can't do two pages the next day. The punishment for not completing my page is that I have to eat a vegetarian meal the next day.
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I've planned book tours for myself, whether or not anybody wants to hear what I have to say. I've weighed in on things like what the cover looks like, what the copy looks like, how it's going to be promoted - just every aspect of it.
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I don't have any office; I can write everywhere. So, I put a piece of paper on the table, and then I travel. Literally, writing for me is like travelling. It's getting out of myself and living another life - maybe a better life.
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I'm the youngest of four, but my closest sibling is 10 years older. I had a lot of imagination. I was running around playing little games by myself. But I never thought I was going to be an actor.
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I'm happier on the runway than I am on the red carpet. Because then I am not being myself. I think, on the red carpet, it's a weird, like, 'Who am I? Am I me? Am I them?'
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'Black Messiah' is a hell of a name for an album. It can easily be misunderstood. Many will think it's about religion. Some will jump to the conclusion that I'm calling myself a Black Messiah. For me, the title is about all of us. It's about the world. It's about an idea we can all aspire to. We should all aspire to be a Black Messiah.
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In my mind, I always think of myself as an underdog type.
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I didn't go to drama school to be a musical theatre performer. I enjoyed it, but I didn't go to do that; I went to be an actor.
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But this is the great danger America faces. That we will cease to be one nation and become instead a collection of interest groups: city against suburb, region against region, individual against individual. Each seeking to satisfy private wants.
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I enjoy worldbuilding very much. I generally start with an approximation. With 'Flesh and Spirit' and 'Breath and Bone,' because I was thinking of a world on the brink of a dark age, I began with the sense of Roman Britain. But I purposely set the geography to match something other than Britain - which has been overdone.
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I looked a little pasty. But hey, at least I didn't wet myself!
