Ben Affleck Quotes
I knew I had to get out of Boston and stop making movies there, at least for one movie, otherwise no one would ever consider me for a movie that took place south of Providence.
Quotes to Explore
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I've made up little mantras for myself, catchphrases from a screenwriting book that doesn't exist. One is 'Write the movie you'd pay to go see.' Another is 'Never let a character tell me something that the camera can show me.'
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I'd love to do a movie where the monster is human, where the issue is not otherworldly, or horror or science fiction.
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In a movie, you're raw material, just a hue of some color and the director makes the painting.
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Well what I will tell you is for this movie, I got into probably the best shape of my life.
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When you're making movies you've got to get obsessive.
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Building codes are a good thing. People who throw rocks at inspectors are being naive. It's a lot like police officers; we want them around unless they stop us for a ticket. It's the same with inspectors.
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I'm trying to learn to smoke, which is rather weird when everyone is trying to stop. I'm not a smoker. But my character only smokes as an affectation.
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My only career strategy is to just not do anything that I have to be completely ashamed of afterwards! Whether it's TV or movies, I feel lucky to be working.
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If dreams are like movies, then memories are films about ghosts.
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I don't want to be known as the one who makes movies for older people.
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Doing voices in animated movies has been one of my dreams. You get to go and act, and you don't have to put on makeup.
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Men are dogs. Men are dogs. We got to stop it. Men are not dogs. Uh-uh. Dogs are loyal.
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Most movies are lucky to have one moment, one shot that you look at and you always remember that moment and that scene.
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Right now, I'm known for making movies. And I wonder if that's it. I don't know. It doesn't feel like it to me.
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Movements begin when oppressed people make - and keep remaking - a deeply inward decision to stop consenting to external demands that contradict a critical inner truth, the truth that they are worthy of respect.
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I was eight years old when I knew I wanted to be an actress. I slowly started by getting into commercials, and then I was an extra on a TV show. And then the movies happened.
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I started in theatre. I went to the Boston Conservatory and majored in musical theater.
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A failure is not always a mistake, it may simply be the best one can do under the circumstances. The real mistake is to stop trying.
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The movie feels to me like a real work of lovely art.
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For some reason, I always have an allegiance to Ohio. I had a great childhood, and to return to it is very comforting.
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I do think that fist-waving conversations around liberation ideologies are sort of dated - I'm not creating Barbara Kruger moments of self-actualization - what I'm trying to do is create more moments of chaos where we don't really know where we are: to destabilize; where all the rules are suspended temporarily.
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Basically I have, like, five really close friends - girls and guys. I like being friends with both because you can do different things with both.
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In a total work, the failures have their not unimportant place.
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I knew I had to get out of Boston and stop making movies there, at least for one movie, otherwise no one would ever consider me for a movie that took place south of Providence.
