Ben Affleck Quotes
I knew I had to get out of Boston and stop making movies there, at least for one movie, otherwise no one would ever consider me for a movie that took place south of Providence.
Quotes to Explore
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I've made up little mantras for myself, catchphrases from a screenwriting book that doesn't exist. One is 'Write the movie you'd pay to go see.' Another is 'Never let a character tell me something that the camera can show me.'
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I'd love to do a movie where the monster is human, where the issue is not otherworldly, or horror or science fiction.
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In a movie, you're raw material, just a hue of some color and the director makes the painting.
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Well what I will tell you is for this movie, I got into probably the best shape of my life.
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When you're making movies you've got to get obsessive.
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Building codes are a good thing. People who throw rocks at inspectors are being naive. It's a lot like police officers; we want them around unless they stop us for a ticket. It's the same with inspectors.
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I'm trying to learn to smoke, which is rather weird when everyone is trying to stop. I'm not a smoker. But my character only smokes as an affectation.
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My only career strategy is to just not do anything that I have to be completely ashamed of afterwards! Whether it's TV or movies, I feel lucky to be working.
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If dreams are like movies, then memories are films about ghosts.
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I don't want to be known as the one who makes movies for older people.
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Doing voices in animated movies has been one of my dreams. You get to go and act, and you don't have to put on makeup.
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Men are dogs. Men are dogs. We got to stop it. Men are not dogs. Uh-uh. Dogs are loyal.
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Most movies are lucky to have one moment, one shot that you look at and you always remember that moment and that scene.
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I've never done a superhero movie. It's very nice to you as an actor in several worlds to go and to experiment.
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Right now, I'm known for making movies. And I wonder if that's it. I don't know. It doesn't feel like it to me.
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Movements begin when oppressed people make - and keep remaking - a deeply inward decision to stop consenting to external demands that contradict a critical inner truth, the truth that they are worthy of respect.
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I was eight years old when I knew I wanted to be an actress. I slowly started by getting into commercials, and then I was an extra on a TV show. And then the movies happened.
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I started in theatre. I went to the Boston Conservatory and majored in musical theater.
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The script [for the movie based on the life of singer Connie Francis -- "Who's Sorry Now?"] is finished and is in the hands of several artists to see if somebody wants to film at the start of [2006].
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In the aftermath of 9/11 and in the build-up to the invasion of Iraq, few questioned the idea that the United States was likely to be the extant superpower for several decades to come. Few anticipated how quickly the neoconservative project would run into the sands - or that China would rise so quickly.
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Frank Capra, Hollywood's Horatio Alger, lights with more cinematic know-how and zeal than any other director to convince movie audiences that American life is exactly like the 'Saturday Evening Post' covers of Norman Rockwell. 'It's A Wonderful Life,' the latest example of Capracorn, shows his art at a hysterical pitch.
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As much preparation as I had made for the old man Salieri, gestures and so on, the fact is after sitting for hours, your movements are kind of slow.
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I knew I had to get out of Boston and stop making movies there, at least for one movie, otherwise no one would ever consider me for a movie that took place south of Providence.
