Ariel Winter Quotes
I love when I go on set every day, because the camera people teach me camera terms and grip terms - I learn all these new terms from different people on the set and leave feeling all cool about myself when I go out places.
Quotes to Explore
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It's a trifle hard to surprise yourself with a story you've written.
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The kindest word to describe my performance in school was Sloth.
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It's not that I don't want a fast car. I like the speed. I'm just not the type of person who finds a sports car a sexy car.
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I ain't scared to do another dating show, but I ain't really trying to. I want to do a talk show or something. I've done enough dating on television. I'm ready to spread my wings, and go down other avenues.
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I am cursed with computers; something always goes wrong.
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Risk comes from not knowing what you're doing.
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It took me just three months to pick up Hindi. I guess I'm a fast learner when it comes to languages.
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In 1942, everyone was ready to go and fight for the good guys. It was so simple.
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I'm a voracious reader, and I like to explore all sorts of writing without prejudice and without paying any attention to labels, conventions or silly critical fads.
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There are certain things women are better at than men.
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The Wild West attracts cowboys. A sheriff is a good thing.
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You get caught up in hitting home runs and seeing how far you can hit them, and your swing changes.
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My thinking has always been that the worst problem we have with regard to lack of inclusion is the terribly low labor force participation rates and terribly high unemployment rates of young men, especially young men in ethnic minority groups and, in particular, young black men.
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I'm vehemently against population transfer. I'm against expelling anyone from his house, ever - whether it be a Jew or an Arab.
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The ability for consumers to receive broadcast over the air signal is their right.
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Marriage isn't something you agree to do one day, and if things don't go right, then it's over.
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Heart of America is a movie I'm very proud of. The young actors are great and the story has impact.
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I lived around the corner from Saul Bellow.
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I came from Mechanicsville, Virginia, where you have four seasons.
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I have worked with some great directors.
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You get into these executive offices, and people say, 'Oh, we have this project. Wait a minute, guys, we need diversity - let's choose a black actor for this; let's choose a Hispanic actor for this,' instead of saying, 'That's not diverse, that's just normal. That's what makes up America.'
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If you really want to make a difference for the customer, so what you have got to do is to make sure the products that you're bringing down in price are ones that they are buying every day.
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And it occurred to me that in this new millennial life of instant and ubiquitous connection, you don't in fact communicate so much as leave messages for one another, these odd improvisational performances, often sorry bits and samplings of ourselves that can't help but seem out of context. And then when you do finally reach someone, everyone's so out of practice or too hopeful or else embittered that you wonder if it would be better not to attempt contact at all.
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I love when I go on set every day, because the camera people teach me camera terms and grip terms - I learn all these new terms from different people on the set and leave feeling all cool about myself when I go out places.
