Edward Hopper Quotes
If this end is unattainable, so, it can be said, is perfection in any other ideal of painting or in any other of man's activities.
Quotes to Explore
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Love is important. I didn't have the energy to be giving it to somebody else in a way that they deserved, and I knew that. So I've always been scared to go too far with somebody I care for because I knew there would come a day when I'd need to pick up and finish a painting for the next three months. That day is inevitable.
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Yesterday, I did some painting then went out to buy an onion and came home and watched 'University Challenge.' The onion was probably the highlight.
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In a movie, you're raw material, just a hue of some color and the director makes the painting.
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I will keep painting until I die.
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When I was younger, I had no interest. But after I went to Paris to see the collections for the first time a few years ago, they made a huge impression on me. I realized that fashion is an art form, like acting or painting.
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Most people don't really like to pose. It is difficult to get them to be present and relaxed under this kind of molecular scrutiny. I want them to understand I'm not simply painting them: I am painting them within a precise moment in time, as a shadow moves across their eyebrows. Then it is gone. The moment is over.
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Painting was a problem - you produce a thing, and then you sell it and get money, and that was quickly considered totally uncool.
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Well, one always has an instinct to be a painter, and I've done quite a lot of painting at one time or another, though not with any public success.
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Life is painting a picture, not doing a sum.
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Envision what the end result is supposed to be... what do you want to be when you grow up? Where do you see yourself? Once we identify what the painting on the wall is, it is so much easier to bring in the right colors, canvas and brushes to paint that picture.
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Movie making is not like other art forms, like painting, or writing a novel, because that can be digested or interpreted... It takes two years to make each one of these, and it's always judged on money.
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The mere drawing and painting world of the pattern designer and the applied artist must become a world that builds again.
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I wrote as a kid, but I never wanted to be a writer, particularly. I had been drawing and painting for years and loved that.
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I'm not particularly interested in painting, per se. I'm interested in a painting that has that mysterious life to it. Anything that doesn't partake of that magic is halfway dead - it returns to its physical elements, it's just paint and canvas.
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He drove his kind of realism at me so hard I bounced right into nonobjective painting.
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I wish we questioned the aid model as much as we are questioning the capitalism model. Sometimes the most generous thing you can do is just say no.
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I was always interested in the arts as a child - drawing, painting, and piano - but acting became a favourite. I was a major theatre geek in high school - if I wasn't in the drama room at lunch rehearsing, I'd be in the art room finishing up some type of project.
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Sculpture is the best comment that a painter can make on painting.
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Relevance, for me, is about being creative and doing things that you believe in, whether that's music or acting or painting a picture, or whatever that is.
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The Metropolitan Museum of Art some time ago held a display of contemporary art at which $52,000 was awarded to American sculptors, painters, and artists in allied fields. The award for the best painting went to the canvas of an Illinois artist. It was described as "a macabre, detailed work showing a closed door bearing a funeral wreath." Equally striking was the work's title: "That which I should have done, I did not do."
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The film industry needs to confront the physical footprint of the way films get made.
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In a relationship each person should support the other; they should lift each other up.
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I dislike paying taxes as much as anyone, but yes, taxes are the price of civilization. There is no America without taxes. The question isn't, "Do we want to have taxes?" The question is, "How heavy is the burden, and who bears that burden"?
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If this end is unattainable, so, it can be said, is perfection in any other ideal of painting or in any other of man's activities.
