Edward Hopper Quotes
Partly through choice, I was never willing to hire out more than three days a week making illustrations for the magazines to support himself, c. 1912 I kept some time to do my own work. Illustrating was a depressing experience. And I didn't get very good prices because I didn't often do what they wanted.
Quotes to Explore
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Always remember that the most important thing in a good marriage is not happiness, but stability.
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I want to work with great directors and try not to put too much pressure on myself and just read things for the story and recognize when I'm drawn to something for the right reasons and try to maintain some sanity.
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I've always been a feminist, and what I love in my work is being able to explore a full-sided woman and not patronize her.
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I can be collaborative, for instance, in situations where I go and study the artist's work before I start writing. Then I can at least try to write towards their style.
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You sit at your computer for hours, then slave away at your job that you may or may not like. You don't know how to explain to them that the time when you feel alive or present is when you are writing.
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Julia Child wasn't afraid to have fun. She made fantastic food but knew how to have a good time and not be too stuck up about the kitchen space.
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Teachers need time to engage with colleagues - whether shadowing, mentoring, co-teaching or conferring. They need a voice in school decisions and to be trusted as professionals.
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Sports in Indonesia aren't being supported by the government. The rewards you get as a young player don't match the effort you put in. I want to be different from other athletes, if not better, and I want to make something good out of my profile and help the younger players have opportunities.
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I'm not really into method acting - the way I was taught was the good old-fashioned British way of just doing your research and getting on with it.
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Technology itself is neither good nor bad. People are good or bad.
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I motivate what I see in young people because we employ about forty thousand young people in our various Chick-fil-A units. Some of them come to work because they need to work; others just work because they just like to work. There's nothing wrong with that.
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From 1961 to 1964, I was fortunate enough to work at a think tank in the Kenwood neighborhood of Chicago. As a writer and editor, I reported in a publication about the thinkers. Our offices were in a former mansion; I worked in what had been the ballroom. As I sat typing my copy, I imagined the dancers waltzing.
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I put a lot of pressure on myself. I think something's not good enough, and I won't stop until I feel like I've made it. I'm never satisfied.
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Reason is like an open secret that can become known to anyone at any time; it is the quiet space into which everyone can enter through his own thought.
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I wanted a name I could shape the music towards. I was going to Miami quite a lot at the time, speaking a lot of Spanish with my friends from Cuba - 'Lana Del Rey' reminded us of the glamour of the seaside. It sounded gorgeous coming off the tip of the tongue.
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I love to work in all sorts of different situations.
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A lot of people don't understand how hard the girls on 'Total Divas' work. They're on the road, the same as the rest of us, and then when they get home, they've got to be filming this whole time.
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From the time I was ten, I thought of myself as 'good with words,' thanks to a perceptive and supportive fifth grade teacher.
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People are looking around. They are looking to do something with their time and money. The question is, what?
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And I think it's true of any big organization... Bureaucracies and organizations make it hard to do the right thing sometimes.
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No one goes through life with a whole heart.
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In the entertainment business, everybody is desperately insecure, and the guys in Silicon Valley seem to be slightly overconfident.
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The life and ventures of Mickey Mouse have been closely bound up with my own personal and professional life. It is understandable that I should have sentimental attachment for the little personage who played so big a part in the course of Disney Productions and has been so happily accepted as an amusing friend wherever films are shown around the world. He still speaks for me and I still speak for him.
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Partly through choice, I was never willing to hire out more than three days a week making illustrations for the magazines to support himself, c. 1912 I kept some time to do my own work. Illustrating was a depressing experience. And I didn't get very good prices because I didn't often do what they wanted.
