Edward Hopper Quotes
Partly through choice, I was never willing to hire out more than three days a week making illustrations for the magazines to support himself, c. 1912 I kept some time to do my own work. Illustrating was a depressing experience. And I didn't get very good prices because I didn't often do what they wanted.
Quotes to Explore
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Always remember that the most important thing in a good marriage is not happiness, but stability.
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If I had my time again and was able to change one thing from my career then I wouldn't have retired. I would have played for Wales longer.
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I want to work with great directors and try not to put too much pressure on myself and just read things for the story and recognize when I'm drawn to something for the right reasons and try to maintain some sanity.
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If at noon you sit down and there's just silence or blank tape, in an hour if you have a song, that didn't exist an hour ago. Now it exists and it might exist for a long time. There's something empowering about that.
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I've always been a feminist, and what I love in my work is being able to explore a full-sided woman and not patronize her.
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I can be collaborative, for instance, in situations where I go and study the artist's work before I start writing. Then I can at least try to write towards their style.
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You sit at your computer for hours, then slave away at your job that you may or may not like. You don't know how to explain to them that the time when you feel alive or present is when you are writing.
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Julia Child wasn't afraid to have fun. She made fantastic food but knew how to have a good time and not be too stuck up about the kitchen space.
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Teachers need time to engage with colleagues - whether shadowing, mentoring, co-teaching or conferring. They need a voice in school decisions and to be trusted as professionals.
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Sports in Indonesia aren't being supported by the government. The rewards you get as a young player don't match the effort you put in. I want to be different from other athletes, if not better, and I want to make something good out of my profile and help the younger players have opportunities.
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I'm not really into method acting - the way I was taught was the good old-fashioned British way of just doing your research and getting on with it.
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I really hated school. I had the feeling I was losing a lot of time.
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Technology itself is neither good nor bad. People are good or bad.
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I motivate what I see in young people because we employ about forty thousand young people in our various Chick-fil-A units. Some of them come to work because they need to work; others just work because they just like to work. There's nothing wrong with that.
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From 1961 to 1964, I was fortunate enough to work at a think tank in the Kenwood neighborhood of Chicago. As a writer and editor, I reported in a publication about the thinkers. Our offices were in a former mansion; I worked in what had been the ballroom. As I sat typing my copy, I imagined the dancers waltzing.
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I put a lot of pressure on myself. I think something's not good enough, and I won't stop until I feel like I've made it. I'm never satisfied.
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Reason is like an open secret that can become known to anyone at any time; it is the quiet space into which everyone can enter through his own thought.
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Companies are always being bought and sold. The markets are always moving; you have to be on top of your position. And in the U.S., the market is never closed for more than three days. The only time the market was ever closed was 9/11. I think it may have been closed the whole week.
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I was greatly influenced by musique concrete when I was, like, 10. I was completely mesmerized by the idea that you could make music out of sounds. So that's been a constant influence on all my work.
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I want to work and be happy.
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Work harder on yourself than you do on your job.
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I'm a much healthier person through my relationship with my husband. I've become a more fulfilled person - it's a great partnership.
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I grew up in different parts of Africa. I grew up in Mozambique and places like that. I've been in South Africa many times.
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Partly through choice, I was never willing to hire out more than three days a week making illustrations for the magazines to support himself, c. 1912 I kept some time to do my own work. Illustrating was a depressing experience. And I didn't get very good prices because I didn't often do what they wanted.
