Edward Zwick Quotes
Quotes to Explore
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I'm an optimist about other people. I'm not an optimist about myself.
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It seemed like the more complex the music we were playing, the less able we were to guarantee its consistency.
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I do this thing at every party: I go to a party, I stand around for, like, 45 minutes, and then I turn to my wife and say, 'I think we should go home.' And then we leave, and then I wake up the next morning and say to my wife, 'We don't go out anymore.' It's a great trick.
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I think we make the movies, initially, with the one movie in mind. But we do love the characters, and so we kind of miss the characters when the movie is over. But I think what happens is, every now and then you realize there's more to tell, or an idea comes up.
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Everybody has values. Now, you know it may be formed in a secular setting, it may be formed in an intellectual setting, but everybody comes forward with values.
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I miss my family and friends from Cali a lot. I also miss late-night business hours, hiking in the Sierra Nevada, and house boating in Gold Country. But in Ohio, housing is cheaper, everything is green year-round, and we get glorious thunderstorms. In California, I lived in a place that was infested with black widow spiders.
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I can remember loving to recruit. I knew I was going to do my best. But traveling and recruiting doesn't appeal to me any more. It's not as much fun as it used to be.
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We shall heal our wounds, collect our dead and continue fighting.
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You feel like you need to deal with a lot if you're from Cleveland, so you learn to let things roll off your back, and you learn that humor is the best way to deal with it.
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I saw 'The Artist.' It's really beautiful and it's all done to the letter with all the silent film techniques. The costumes were amazing and the dog is so good.
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I think hallucinations need to be discussed. There are all sorts of hallucinations, and then many sorts which are okay, like the ones I think which most of us have in bed at night before we fall asleep, when we can see all sorts of patterns or faces and scenes.
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I will meet my countrymen. I understand only one language: that they are my countrymen, they are my brothers. You may see with whatever colour you want; Modi will not go into that colour.
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In Fall Out Boy, I noticed that I wasn't putting all that much soul into it. It was just kind of screaming, I guess. I was just dying to get out of there!
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'Moonlight' is a story that hasn't been told. Whether placed as queer black cinema or urban male cinema, the lack of coming-of-age films featuring people like Chiron and set in places like inner-city Miami is pronounced and unfortunate.
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I look at my music in the beginning, and the sexual songs, the partying songs, those are the realities because those things happen.
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I didn't grow up a huge fan of the Western genre because there was never a female character to relate to or look up to.
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Every one desires to live long, but no one would be old.
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The path from dreams to success does exist. May you have the vision to find it, the courage to get on to it, and the perseverance to follow it.
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I look askance at any movement which assists in making the peacemaker among nations merely a national warrior.
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I don't enjoy being a celebrity, I don't want any part of that or any part of that fame for fame... i'd actually rather die than be a celebrity slime!!!
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This may just be me, but I feel like everyone's dream is to live as an American high school student. There are so many teen films set in America that you live vicariously through them, anyway.
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In an effort to create a culture within my classroom where students feel safe sharing the intimacies of their own silences, I have four core principles posted on the board that sits in the front of my class, which every student signs at the beginning of the year: read critically, write consciously, speak clearly, tell your truth.
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I have a lot in common with Lewis Carroll's Alice (my favorite female literary heroine, besides Becky Sharp). I've been sent on a journey to places even bleach can't reach.
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Stories are one of the means by which a culture preserves its identity.