Elayne Boosler Quotes
Quotes to Explore
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The first thing I tried to do in the months after losing my mother was to write a poem. I found myself turning to poetry in the way so many people do - to make sense of losses. And I wrote pretty bad poems about it. But it did feel that the poem was the only place that could hold this grief.
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I don't try to sugarcoat things, but I also think my books make positive statements about the people and values in small-town America.
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I believe the answers to most problems that confront us around the world can and should be approached by engaging both friend and foe in dialogue. No, I don't naively think that dialogue always works, but I believe we should avoid the rigidity of saying that dialogue never works.
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But I also think that the more you reason collectively about what the project should be at the beginning of the process, the more you can improvise later.
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Finishing games has been something I'm really proud of, seeing something through to the end.
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Our minds are like our stomaches; they are whetted by the change of their food, and variety supplies both with fresh appetite.
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I was on Kanye's Yeezus tour as a dancer, but really, I was a Vanessa Beecroft model. I was one of the three 'dancers' who couldn't dance and was more of an accessory than an individual. Vanessa was pretty involved. Her style is about a lot of standing. It's very simple but haunting.
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The mullahs are part of the past in Iran, not its future. But change in Iran will come through engagement, not through confrontation.
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Either you are extrovert or introvert, and so I am an introvert in that sense. I'm not a social person that wants to go to parties.
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Maybe our generation is more about sex, but it feels like romance is dying out.
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I don't have many friends.
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People are really upside down. They want a government they can trust. They want one that's not going to raise their taxes by $15 billion and not lay off one state employee.
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Writers are so important.
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Any econometrician who wants to see practical application of his science will be highly concerned with applications to economic planning at the national level.
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I've been lucky to learn by playing all kinds of roles and watching all kinds of really good cinematographers, actors, and directors for many years before people were even aware of me in terms of audience.
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I don't like men who blow-dry their hair. If you are a man and you blow-dry your hair, then I don't like you and that's all there is to it.
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The best players I have seen and known have confidence in their teammates. They know that basketball's not a one-man game. That confidence brings out the best in everybody, because it's contagious.
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I fed my ego, but not my soul.
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The award is important in order to bring people to the movie theater. That's the only principle meaning of any award.
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A life of very, very serious, po-faced films would drive me nuts. I need - and I'm fortunate to have - a fairly varied menu in that respect. I mean, I was shooting 'Mamma Mia!' at the same time as I was doing Michael Winterbottom's 'Genova'. That was a very, very bizarre summer.
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There are a lot of things I might be good at, such as competitive figure skating, window washing from ten stories up, and being an open heart surgeon. I might also make an excellent Kamikaze pilot - except for the fact that I don't want to learn how to fly and have no interest in taking my own life on behalf of Japan.
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Cultivating more leaders who reflect our heterogeneous society depends on universities' transparent use of race as one of many factors in an admissions process that is accessible to all.
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I'm trying to illuminate how perilously narrow we draw the concepts of masculinity and sexuality in our male culture - particularly in black male culture - and to help people to see that there's room enough for everyone.
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Every time we help an animal, we are healing ourselves, over and over.
