Elayne Boosler Quotes
Quotes to Explore
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The first thing I tried to do in the months after losing my mother was to write a poem. I found myself turning to poetry in the way so many people do - to make sense of losses. And I wrote pretty bad poems about it. But it did feel that the poem was the only place that could hold this grief.
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I don't try to sugarcoat things, but I also think my books make positive statements about the people and values in small-town America.
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I believe the answers to most problems that confront us around the world can and should be approached by engaging both friend and foe in dialogue. No, I don't naively think that dialogue always works, but I believe we should avoid the rigidity of saying that dialogue never works.
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But I also think that the more you reason collectively about what the project should be at the beginning of the process, the more you can improvise later.
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Finishing games has been something I'm really proud of, seeing something through to the end.
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Our minds are like our stomaches; they are whetted by the change of their food, and variety supplies both with fresh appetite.
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I was on Kanye's Yeezus tour as a dancer, but really, I was a Vanessa Beecroft model. I was one of the three 'dancers' who couldn't dance and was more of an accessory than an individual. Vanessa was pretty involved. Her style is about a lot of standing. It's very simple but haunting.
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The mullahs are part of the past in Iran, not its future. But change in Iran will come through engagement, not through confrontation.
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Either you are extrovert or introvert, and so I am an introvert in that sense. I'm not a social person that wants to go to parties.
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Maybe our generation is more about sex, but it feels like romance is dying out.
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I don't have many friends.
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People are really upside down. They want a government they can trust. They want one that's not going to raise their taxes by $15 billion and not lay off one state employee.
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Writers are so important.
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Any econometrician who wants to see practical application of his science will be highly concerned with applications to economic planning at the national level.
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I've been lucky to learn by playing all kinds of roles and watching all kinds of really good cinematographers, actors, and directors for many years before people were even aware of me in terms of audience.
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I don't like men who blow-dry their hair. If you are a man and you blow-dry your hair, then I don't like you and that's all there is to it.
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The best players I have seen and known have confidence in their teammates. They know that basketball's not a one-man game. That confidence brings out the best in everybody, because it's contagious.
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I fed my ego, but not my soul.
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I was ready to get out of the box and play something a little different than what everybody has seen.
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Something different happens to my brain when I put pen to paper: the pace of writing or drawing slows you down and gives you more time for thoughts to come in.
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In films, you work for three to six months, and you're out of the character. But for a daily soap, you don't have that luxury. So the character has to be convincing. Otherwise, your mind is not in it, and you're just working for money, which is a good amount in serials. But I want both: good acting and good money.
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Without really analyzing it, I grew up in Massachusetts, so the Salem witch trials were always something that I was around. The average kindergartner probably doesn't know about it, except that in Massachusetts, you do, because they'll take you on field trips to see reenactments and stuff.
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Nothing brings me more happiness than trying to help the most vulnerable people in society. It is a goal and an essential part of my life - a kind of destiny. Whoever is in distress can call on me. I will come running wherever they are.
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Every time we help an animal, we are healing ourselves, over and over.
