Marco Bizzarri Quotes
Diversity and inclusion, which are the real grounds for creativity, must remain at the center of what we do.
Quotes to Explore
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In social policy, when we provide a safety net, it should be designed to help people take more entrepreneurial risks, not to turn them into dependents. This doesn't mean that we should be callous to the underprivileged.
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I have changed so much as an actor over the years.
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I lost 'The X Factor,' and I lost 'Deal or No Deal' twice. I'm good at losing game shows.
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I look for my opportunities, not trying to go outside of my genuine realm, because leadership has to be genuine and authentic.
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I was a dancer when I got discovered, and I started working immediately. I started being in commercials and doing guest star roles. My first big thing, which happened maybe six months after being discovered, was 'Bring It On: All or Nothing.'
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I think a lot of playwrights have a script in their bottom drawer that hopefully no one will ever see about a bunch of young people sharing a flat and getting up to crazy stuff.
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I'm completely open about the fact that I don't love every genre of metal. I like what I like. It's got to have some vocal quality and some semblance of melody.
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I don't care whether you use natural gas, ethanol, the battery. You can use anything, just so it's American.
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We read Robert Browning's poetry. Here we needed no guidance from the professor: the poems themselves were enough.
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In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?
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I DJ'd for years. I DJ'd in high school, and I think my parents thought it was a passing thing. And then when I was in my second year of college, I was like, 'Yeah, you guys don't need to send me money anymore. My DJ gigs are good enough. I'm selling music; I think I'm gonna have a record deal. I can pay my tuition.'
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I love iTunes as much as anybody. It's very convenient and very easy. But there is nothing like the vibe that you get when you walk into a record store. And I think a lot of people are still thrilled to spend a half hour there and go through the bins and make some purchases.
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I feel very competitive with Robert Morse off-set. We often duke it out. He always wins.
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We have several million Muslims in France who are mostly moderates or non-practicing. If they feel that it is the only subject in public debate, they won't feel at home and will be tempted to withdraw to their communities.
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I'm very devoted to my kids - I'm completely blind to their faults.
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Athol Fugard became famous as a playwright, so although 'Tsotsi' the book was written in the '60s, it was only published in the '80s. It was then optioned pretty much every year by producers. I think the problem was that holding onto its period setting made it very hard to get finance.
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I've just had a wonderful time doing Chinese music, and it's been so rewarding for me. I feel like there's so much potential in mandarin music, and there's so much, you know, ground left to be broken.
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When a nation is surrounded by weaponized nations, she has to equip herself.
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When I was being brought up, we weren't allowed to wallow in self-pity, which was a thoroughly good thing. We were all fine and healthy because that was what we were told to be.
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I've spent a lot of time wondering, What's going to happen? What's going to happen? I try not to allow myself to do that much anymore. I think ive gotten more comfortable with the unknown.
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Somewhere during the 'Next to Normal' Broadway run, I found myself learning more about myself onstage than in real life, and I truly realized the beautiful, tremendous, extraordinary gift that is performing.
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Diversity and inclusion, which are the real grounds for creativity, must remain at the center of what we do.
