Marco Bizzarri Quotes
Diversity and inclusion, which are the real grounds for creativity, must remain at the center of what we do.
Quotes to Explore
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In social policy, when we provide a safety net, it should be designed to help people take more entrepreneurial risks, not to turn them into dependents. This doesn't mean that we should be callous to the underprivileged.
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I have changed so much as an actor over the years.
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I'm not an American, but I have this weird connection to America in different ways through my dad living here for five years, my godfather being an American who I'm very close to.
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I lost 'The X Factor,' and I lost 'Deal or No Deal' twice. I'm good at losing game shows.
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I look for my opportunities, not trying to go outside of my genuine realm, because leadership has to be genuine and authentic.
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I was a dancer when I got discovered, and I started working immediately. I started being in commercials and doing guest star roles. My first big thing, which happened maybe six months after being discovered, was 'Bring It On: All or Nothing.'
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I think a lot of playwrights have a script in their bottom drawer that hopefully no one will ever see about a bunch of young people sharing a flat and getting up to crazy stuff.
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We see entrepreneurship and small businesses and supply chains as a critical part of the economic growth and competitiveness agenda.
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I'm completely open about the fact that I don't love every genre of metal. I like what I like. It's got to have some vocal quality and some semblance of melody.
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I don't care whether you use natural gas, ethanol, the battery. You can use anything, just so it's American.
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We read Robert Browning's poetry. Here we needed no guidance from the professor: the poems themselves were enough.
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In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?
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I DJ'd for years. I DJ'd in high school, and I think my parents thought it was a passing thing. And then when I was in my second year of college, I was like, 'Yeah, you guys don't need to send me money anymore. My DJ gigs are good enough. I'm selling music; I think I'm gonna have a record deal. I can pay my tuition.'
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The major political battles about guns in our society concern handguns and assault weapons, not long arms like hunting rifles.
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I love iTunes as much as anybody. It's very convenient and very easy. But there is nothing like the vibe that you get when you walk into a record store. And I think a lot of people are still thrilled to spend a half hour there and go through the bins and make some purchases.
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I feel very competitive with Robert Morse off-set. We often duke it out. He always wins.
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I'm not that moody. I don't have big ups and downs.
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We have several million Muslims in France who are mostly moderates or non-practicing. If they feel that it is the only subject in public debate, they won't feel at home and will be tempted to withdraw to their communities.
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We're not lawbreakers, we're law-abiding, and intend to stay that way.
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I came to America to become an architect. And somewhere along the line while I was still in school, I was lured into theater, and that's how I became interested in theater. My first play was something called 'A Banquet for the Moon.' It was a weird play.
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Creativity has got to have some edge to it, doesn't it?
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Wonder Woman feels like she's been put on a pedestal for so long, and it's hard to write that character because they're perfect and they can't do anything wrong.
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This is an exciting thing for us. One of the biggest things here is we want to keep our coaching staff. It's very important to us. Gregg was willing to extend his contract.
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Diversity and inclusion, which are the real grounds for creativity, must remain at the center of what we do.
