Margaret Atwood Quotes
The weapons that were once outside sharpening themselves on war are now indoors there, in the fortress, fragile in glass cases; Why is it (I’m thinking of the careful moulding round the stonework archways) that in this time, such elaborate defences keep things that are no longer (much) worth defending?

Quotes to Explore
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I worked with Lukas Haas a long time ago, when he was younger, and he was wonderful.
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I guess I hadn't counted on 'The Unblackening' happening to my time slot as well.
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Every time a football player goes to ply his trade, he's got to play from the ground up - from the soles of his feet right up to his head. Every inch of him has to play.
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I've been influenced by some of the greatest designers. Charles Eames. And Bruno Munari in the '50s in Italy - when they had to retool the industry of war into an industry to help society. In a way, I'm influenced by designers that were there at a radical time of change.
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I have absolutely no intention of marrying Jacqueline Kennedy Onassis.
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Philosophy! Empty thinking by ignorant conceited men who think they can digest without eating!
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I draw a very clear distinction between populism and democracy.
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Forget it, Louis, no Civil War picture ever made a nickel.
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I wish the press were paying more attention to the erosion of the Constitution and the slippery slope that we're getting into, by giving up the right of the Congress to talk about when and how and where we go to war.
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I got a job as soon as I could - 11 or 12. I started babysitting and then I got a part-time job at a pharmacy in England. I just remember loving the feeling of going out and buying my own clothes! I'd go bargain-hunting and get secondhand vintage stuff.
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I was writing at a really young age, but it took me a long time to be brave enough to become a published writer, or to try to become a published writer. It's a very public way to fail. And I was kind of scared, so I started out as a ghost writer, and I wrote for other series, like Disney 'Aladdin' and 'Sweet Valley' and books like that.
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I didn't invent satire. I didn't come up with it. And it will continue to be a very powerful tool to disrupt political taboos and social taboos and religious taboos, because those taboos are always used to control and to curb people's way of creativity and thinking, by making them feel guilty because they want to make a change.
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The first time I went to Johnny Depp's house in LA is when I realized what I was getting myself into. I knew he was famous, but I didn't really know what that entailed.
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My kids don't go back and forth; none of this 50/50 time with the mums and dads. My children live with me; that is it.
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I think as a child you know when it's time for your parents to split. You realise they love each other, but they're not in love with each other. And I think as a child it's much better for your parents to split than for them to stay and have dysfunction within the family.
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The more determinedly I exist, as myself, within the conditions of the time, the more clearly I shall hear the language of the past, the nearer I shall feel the glow of its life.
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I keep thinking, we teach children to use language to solve their disputes. We teach them not to hit and fight and bite. Then look what adults do!
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What's really important in life? Sitting on a beach? Looking at television eight hours a day? I think we have to appreciate that we're alive for only a limited period of time, and we'll spend most of our lives working.
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You wonder why I only talk about my personal life. But that's all I've ever done.
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The fact is that Hollywood, from as early as the sixties to the present time, has ghettoized cinema into the big industry, a marketing industry. In doing this, the audiences have lost touch with the aspects of film which were to be informative and educational and even spiritual.
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I come from a working-class background, and I thought I had to be studying something that would get me a job.
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The man who knows how will always be the student, but the man who knows why will continue to be the instructor.
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The weapons that were once outside sharpening themselves on war are now indoors there, in the fortress, fragile in glass cases; Why is it (I’m thinking of the careful moulding round the stonework archways) that in this time, such elaborate defences keep things that are no longer (much) worth defending?