Eli Roth Quotes
I want people to see my name on a movie, pay money and know they're going to be entertained for 90 minutes.
Quotes to Explore
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People like me were supposed to be into exclusivity, unapproachable. That's what I hate most. I think it's very demode.
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Every time - well, not every time, but in celebration of a great review or a great accolade, I take the team of Daniel to Katz's Deli for lunch. We take the trip on the subway, we were like 40 or 50 people, and we go in the back room and have a pastrami sandwich.
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It's hard to give advice. There are so many people, how do you give major advice to a group of people, it's very presumptuous.
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All of my problems are rather complicated - I need an entire novel to deal with them, not a short story or a movie. It's like a personal therapy.
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I think sports and bodybuilding were the only things that saved me from getting beat up. People are not pleased, for whatever reason, when you can answer all the questions in class. If not for the respect I got from track, cross-country, wrestling and bodybuilding, it would have been a disaster.
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When romance is done well in a movie, it's awesome.
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I used to sit in front of McDonald's and ask people for dollars to get me a cheeseburger. It was bad.
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Put not your trust in money, but put your money in trust.
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I love proving people wrong.
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I avoid talking about the way I work. But in avoiding it I seem only to have encouraged people to focus their fantasies about me in an ever more fantastical way.
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'Moonlight' changed me. To see people so moved by this movie inspires me to find something else to offer. And maybe the next one touches only five people or maybe just one person. To me, you know, that would still be worth it.
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People tend not to use this word beauty because it's not intellectual - but there has to be an overlap between beauty and intellect.
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There seems to be an inclination among rock musicians to be very carefree with money, but I negotiate the best flight and hotel deals on our tours to maximise the band's income - I don't want too see too much taken off the top line.
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History is more interesting than most people think.
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I don't like Los Angeles. The people are awful and terribly shallow, and everybody wants to be famous but nobody wants to play the game. I'm from New York. I will kill to get what I need.
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I try genuinely, when I'm playing a character, to not judge them and just to inhabit someone as how one sees them. That being said, you also want to make sure that you don't blur the edges of people too much because humans are naughty and complicated beings.
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The reality is the world is a really, really big place, and there's a lot of people running around with a lot on their mind. And you really have to figure out how to build a company that can put on a message that can actually reach people and have an impact globally.
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Hollywood's like a warehouse. It's just a place that you go. What's interesting in the warehouse has to do with the creative people.
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I think it's foolish to interview someone who's just promoting a movie that they're in and ask if they consider themselves a feminist. That's not about feminism; that's about the journalist wanting to gauge how much this person is aware of the world or is aware of the feminist movement.
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People talk about writing convincing teenagers like it's a really clever thing to do, but it comes incredibly naturally to me. Which, of course, is slightly a worry.
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People would use each other in their works. The barriers were breaking down; everyone brought in special qualities.
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You know for years before the notion of sequels, actors were the franchise. John Wayne would rarely do sequels, but he kind of played the same guy with a different name in every movie. I have no problem with using actors as franchises. And that's what is fun to do.
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I want people to see my name on a movie, pay money and know they're going to be entertained for 90 minutes.
