Margaret Fuller Quotes
Quotes to Explore
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My wife asked me if I ever thought I would ever retire from stand-up. And I thought about it, and I was like, 'No, because it's my job; it's what I do, and I enjoy it.' It's still the most challenging thing for me to do.
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What Washington needs is adult supervision.
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I don't ever remember a single day of hopelessness. I knew from the history of the labor movement, especially of the black people, that it was an undertaking of great trial. That, live or die, I had to stick with it, and we had to win.
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Acting is exciting. It is different every time you do it.
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Fiji had experienced the ordeal of two military coups.
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It works both ways: there are victims of tragedy who come to me who have experienced grief of such magnitude that they cannot reconcile. Likewise, I cannot change the mentality of those who committed the crimes or the fools who followed them.
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I've thought for a long time that my body type would have worked well in the '70s. The idea that you could be a broad-shouldered, small-breasted woman and still wear really great outfits.
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The good poet sticks to his real loves, those within the realm of possibility. He never tries to hold hands with God or the human race.
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The trick of this thing and the beauty of this thing is that it's a cowboy movie first and then stuff happens. Even after stuff happens it doesn't change - it hasn't suddenly changed into another kind of movie. It's still a cowboy movie. And that's what's incredible about it because nobody has done that before, that's new territory.
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Given a choice between Charlie Mingus and Eric Dolphy or Joe Strummer and Lou Reed, there was no choice. I like Reed and Strummer, but it's kiddie music.
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Being gay myself, I'm naturally drawn to the interactions between men rather than men and women.
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I chose the most explosive dress I could find. I put a ton of makeup on and some great round earrings. I looked like Jennifer Jones in Duel in the Sun.
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I went to high school in New York City. So, I grew up in New Jersey my whole life, and I was watching all the people and all the kids that I met there become so jaded.
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If people have bought something of mine, they know by now that I will decline writing it for the movies.
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The good parts about being a public company are increased discipline, increased execution and increased transparency to make sure that you are really building a company for a hundred years.
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How do you sustain yourself when all the old structures people looked to for support - religion, family, ethnic solidarity - are crumbling, or feel so false that you refuse to avail yourself of them? What comes next?
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I had to jump on the tractor and do my chores. I would have just killed to be in town, to be able to Rollerblade hand-in-hand with somebody I had a crush on. I just wanted to get off the farm, to find my outlet.
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I just work hard and do things as they come along. But it has been a challenge to learn that I have to say 'no' to things and to know how and what to prioritize.
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I try to think of it not as writer's block, but a time where you just need to live life and experience things so you have something to write about.
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It is clear that friendship is by and large crucial to human life. And I believe, in contrast with most of the philosophical tradition deriving from Aristotle, that it is not limited to a very few perfect individuals.
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I project love, music and love, and I pray for peace. A good song cuts straight to the heart; sometimes it doesn't need to be too many lines – of course, I do love a good story.
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The songs I've written that are the strongest, I'm like: 'I don't know where that came from. It just kind of popped out.' You feel you can't take a whole lot of credit for it. I didn't purposefully will it into existence.
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You are intellect, I am life!
