Margaret Fuller Quotes
Quotes to Explore
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My wife asked me if I ever thought I would ever retire from stand-up. And I thought about it, and I was like, 'No, because it's my job; it's what I do, and I enjoy it.' It's still the most challenging thing for me to do.
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What Washington needs is adult supervision.
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I don't ever remember a single day of hopelessness. I knew from the history of the labor movement, especially of the black people, that it was an undertaking of great trial. That, live or die, I had to stick with it, and we had to win.
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Acting is exciting. It is different every time you do it.
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Fiji had experienced the ordeal of two military coups.
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It works both ways: there are victims of tragedy who come to me who have experienced grief of such magnitude that they cannot reconcile. Likewise, I cannot change the mentality of those who committed the crimes or the fools who followed them.
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I've thought for a long time that my body type would have worked well in the '70s. The idea that you could be a broad-shouldered, small-breasted woman and still wear really great outfits.
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The good poet sticks to his real loves, those within the realm of possibility. He never tries to hold hands with God or the human race.
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The trick of this thing and the beauty of this thing is that it's a cowboy movie first and then stuff happens. Even after stuff happens it doesn't change - it hasn't suddenly changed into another kind of movie. It's still a cowboy movie. And that's what's incredible about it because nobody has done that before, that's new territory.
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Given a choice between Charlie Mingus and Eric Dolphy or Joe Strummer and Lou Reed, there was no choice. I like Reed and Strummer, but it's kiddie music.
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Being gay myself, I'm naturally drawn to the interactions between men rather than men and women.
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I chose the most explosive dress I could find. I put a ton of makeup on and some great round earrings. I looked like Jennifer Jones in Duel in the Sun.
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I went to high school in New York City. So, I grew up in New Jersey my whole life, and I was watching all the people and all the kids that I met there become so jaded.
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If people have bought something of mine, they know by now that I will decline writing it for the movies.
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The good parts about being a public company are increased discipline, increased execution and increased transparency to make sure that you are really building a company for a hundred years.
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How do you sustain yourself when all the old structures people looked to for support - religion, family, ethnic solidarity - are crumbling, or feel so false that you refuse to avail yourself of them? What comes next?
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I had to jump on the tractor and do my chores. I would have just killed to be in town, to be able to Rollerblade hand-in-hand with somebody I had a crush on. I just wanted to get off the farm, to find my outlet.
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I just work hard and do things as they come along. But it has been a challenge to learn that I have to say 'no' to things and to know how and what to prioritize.
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As I get older, I want to draw on my experience to make roles better. I see that in the older women who inspire me - their experience makes them better.
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When we run out of them upstairs, I've been known to appropriate some from our greenroom, pocketing a few with one hand as I smile and greet our guests with the other. One time, Dave Zinczenko of 'Eat this, Not That!' fame, busted me in the act. The cookies apparently fall in the 'not that' category. I made a note of it.
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'My Night at Maud's,' 'Claire's Knee,' 'Chloe in the Afternoon' are grafted onto my life.
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They are more to me than life, these voices, they are more than motherliness and more than fear; they are the strongest, most comforting thing there is anywhere: they are the voices of my comrades.
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Love begins with an image; lust with a sensation.
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You are intellect, I am life!
