Arthur Honegger Quotes
To tell the truth, in Pacific 231 I was on the trail of a very abstract and quite ideal concept, by giving the impression of a mathematical acceleration of rhythm, while the movement itself slowed . I first called this piece Mouvement symphonique. On reflection I found that a bit colorless. Suddenly, a rather romantic image crossed my mind, and when the work was finished, I wrote the title Pacific 231, which indicates a locomotive for heavy loads and high speeds (a type unfortunately disappeared, alas, and sacrificed to electric traction).

Quotes to Explore
-
I think in every picture that I've ever made. Everything that I've done torments me. I really would like another chance except I'd be too embarrassed to ever really try to do them again and no one would want to see the same movie just done differently.
-
Timidity does not inspire bold acts.
-
It's great when a director like Cameron Crowe can take what you do and fit it into what he's doing. If someone's a fan of you already, they can take what you do and make it work for what they're doing. You don't know their vision, and you're thinking, 'How is this guy going to take what I do and make it work in this movie?'
-
I build community. However, I do it wearing a number of hats.
-
It angers me when sustainability gets used as a buzz word. For 90 percent of the world, sustainability is a matter of survival.
-
It's always been my dream to just continually do really cool indie movies - character-driven stuff.
-
Now that I have kids, I don't want to do so many daredevily things anymore.
-
I am Patrick, a sinner, most uncultivated and least of all the faithful and despised in the eyes of many.
-
The books I love most are the ones that combine some sort of gripping story with really beautiful or stylish writing. Some of my favorites are 'The Road' by Cormac McCarthy, 'The Virgin Suicides' by Jeffrey Eugenides, 'The Interpreter of Maladies' by Jhumpa Lahiri, and 'Blindness' by Jose Saramago.
-
I am deeply immersed in my medical work, and it can get very intense, but I believe that the connection and devotion is key. You can not work on diseases as devastating and deadly as Lassa and Ebola without complete trust and respect for the individuals with whom you work. My lab and colleagues are just extraordinary, and we are a family.
-
I ate better in Liberia than I did in Ohio.
-
There are no limits to our future if we don't put limits on our people.
-
Dance connects us to the musicality of life and to one another. No one should be denied such basic pleasures.
-
Michael was very specific during rehearsals. When he was pleased, he always had this charming grin.
-
I went to boarding school, and what that teaches you is to cope emotionally at a young age and to suppress a lot of emotion. Being in the army is, in a way, similar.
-
At the age of 16, my father's father dropped dead of a heart attack. And I think it changed the course of his life, and he became fascinated with death. He then became a medical doctor and obviously fought death tooth and nail for his patients.
-
It's grueling never knowing if the audience is going to think you're funny. It's soul-destroying when they don't laugh.
-
Publishing for me is a business, not an ideology.
-
I sometimes get accused of being 'faux-naive,' but for me, it's really just about getting down to the basics of something.
-
Man, unlike anything organic or inorganic in the universe, grows beyond his work, walks up the stairs of his concepts, emerges ahead of his accomplishments.
-
“What’s going on?” asked Roberta, smashing through the branches nearby.
-
I went to performing arts high school, and I took dance and acting every day. Then, I went to Marymount Manhattan College and I have a B.A. in acting, with a concentration in theater performance and a minor in musical theater. I studied there for three years.
-
Victory has a thousand fathers, but defeat is an orphan.
-
To tell the truth, in Pacific 231 I was on the trail of a very abstract and quite ideal concept, by giving the impression of a mathematical acceleration of rhythm, while the movement itself slowed . I first called this piece Mouvement symphonique. On reflection I found that a bit colorless. Suddenly, a rather romantic image crossed my mind, and when the work was finished, I wrote the title Pacific 231, which indicates a locomotive for heavy loads and high speeds (a type unfortunately disappeared, alas, and sacrificed to electric traction).