Arthur Honegger Quotes
To tell the truth, in Pacific 231 I was on the trail of a very abstract and quite ideal concept, by giving the impression of a mathematical acceleration of rhythm, while the movement itself slowed . I first called this piece Mouvement symphonique. On reflection I found that a bit colorless. Suddenly, a rather romantic image crossed my mind, and when the work was finished, I wrote the title Pacific 231, which indicates a locomotive for heavy loads and high speeds (a type unfortunately disappeared, alas, and sacrificed to electric traction).
Quotes to Explore
-
I think in every picture that I've ever made. Everything that I've done torments me. I really would like another chance except I'd be too embarrassed to ever really try to do them again and no one would want to see the same movie just done differently.
-
Timidity does not inspire bold acts.
-
It's great when a director like Cameron Crowe can take what you do and fit it into what he's doing. If someone's a fan of you already, they can take what you do and make it work for what they're doing. You don't know their vision, and you're thinking, 'How is this guy going to take what I do and make it work in this movie?'
-
I build community. However, I do it wearing a number of hats.
-
It angers me when sustainability gets used as a buzz word. For 90 percent of the world, sustainability is a matter of survival.
-
It's always been my dream to just continually do really cool indie movies - character-driven stuff.
-
Now that I have kids, I don't want to do so many daredevily things anymore.
-
I am Patrick, a sinner, most uncultivated and least of all the faithful and despised in the eyes of many.
-
The books I love most are the ones that combine some sort of gripping story with really beautiful or stylish writing. Some of my favorites are 'The Road' by Cormac McCarthy, 'The Virgin Suicides' by Jeffrey Eugenides, 'The Interpreter of Maladies' by Jhumpa Lahiri, and 'Blindness' by Jose Saramago.
-
I am deeply immersed in my medical work, and it can get very intense, but I believe that the connection and devotion is key. You can not work on diseases as devastating and deadly as Lassa and Ebola without complete trust and respect for the individuals with whom you work. My lab and colleagues are just extraordinary, and we are a family.
-
I ate better in Liberia than I did in Ohio.
-
There are no limits to our future if we don't put limits on our people.
-
In Hinduism, conscience, reason and independent thinking have no scope for development.
-
Dance connects us to the musicality of life and to one another. No one should be denied such basic pleasures.
-
Michael was very specific during rehearsals. When he was pleased, he always had this charming grin.
-
I went to boarding school, and what that teaches you is to cope emotionally at a young age and to suppress a lot of emotion. Being in the army is, in a way, similar.
-
At the age of 16, my father's father dropped dead of a heart attack. And I think it changed the course of his life, and he became fascinated with death. He then became a medical doctor and obviously fought death tooth and nail for his patients.
-
It's grueling never knowing if the audience is going to think you're funny. It's soul-destroying when they don't laugh.
-
If it squares with the Scripture, then let's go. If it's in conflict with the Scripture, then it's heresy.
-
It's always a little mind-boggling to realize that these famous actors know who I am.
-
It's possible to fund companies for $100,000 and find out rather quickly whether or not the idea they are pursuing has merit. Scientists now work much faster.
-
The public needs art, and it is the responsibility of a ’self-proclaimed artist’ to realize the public needs art, and not to make bourgeois art for the few and ignore the masses. … I am interested in making art to be experienced and explored by as many individuals as possible with as many different individual ideas about the given piece with no final meaning attached. The viewer creates the reality, the meaning, the conception of the piece. I am merely a middleman trying to bring ideas together.
-
To tell the truth, in Pacific 231 I was on the trail of a very abstract and quite ideal concept, by giving the impression of a mathematical acceleration of rhythm, while the movement itself slowed . I first called this piece Mouvement symphonique. On reflection I found that a bit colorless. Suddenly, a rather romantic image crossed my mind, and when the work was finished, I wrote the title Pacific 231, which indicates a locomotive for heavy loads and high speeds (a type unfortunately disappeared, alas, and sacrificed to electric traction).
