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Writing a mystery is like drawing a picture and then cutting it into little pieces that you offer to your readers one piece at a time, thus allowing them the chance to put the jigsaw puzzle together by the end of the book.
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If I use the word 'khichdi' in my novel, I don't have to get into the trouble of explaining that it is a dish of rice and lentils. My Indian readers know it.
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What I have found is that, in a family business structure, sometimes what is needed is a sense of discipline rather than creativity. You have to take everyone's ideas and make it work. When you are dealing with money, there is a limitation on how creative you can be.
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I believe that every writer evolves with every successive novel. I view myself as work-in-progress.
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Writing was my route to creative expression, and I needed to write about the things that interested me.
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The decision to use a pen name was nothing more than a desire to compartmentalise my life. However, I had not thought about an appropriate pseudonym, and since there's an abundance of anagrams in the novel, the idea struck me: why not use an anagram of my name? Hence, Shawn Haigins.
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I am a businessman at the end of the day. I have grown up with Excel sheets. I start out writing my novel with spreadsheets and the milestones in each chapter highlighted.
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If there is one city apart from Mumbai where I would love to settle down, it has to be Chennai.
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The first paragraph of my book must get me my reader. The last paragraph of a chapter must compel my reader to turn the page. The last paragraph of my book must ensure that my reader looks out for my next book.
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J. K. Rowling's first 'Harry Potter' manuscript was rejected 12 times. Stephen King's 'Carrie' was rejected 30 times. 'Gone With The Wind' was rejected 38 times. I was immensely proud to have beaten them all.
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I believe that the day one stops being spiritual, one ends up being religious. I live by the adage that the only certainty in life is death. We should, therefore, learn to live for the day and be content.
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An author entices the readers with their words, and it is painful for them to even lose a sentence. But films and books are two different mediums and should be dealt differently. What works in a book might not work for a film. When I saw 'Anna Karenina' on screen, I didn't like it at all, whereas 'The Godfather' was legendary.
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I want my writing to reach people. I don't write for a market. I write from my heart, something that appeals to me. The marketing, segmenting etc., can be done by your publisher, not you.
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The relationship between critic and writer is similar to the one between the pigeon and the statue.
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My attention span is very limited, and I watch just one or two movies a year.
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It is easy to club people together, but there are bound to be influences of authors you've read. I grew up reading fast paced authors such as Sidney Sheldon and Jeffrey Archer, but to say I'm one of them isn't true; my style is intrinsically my own.
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Everyone talks about moderation. How about some moderation in moderation?
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While I can't walk on water, I can certainly wobble on whisky.
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I work in a business environment forty hours a week, and writing is what I do to unwind. It allows me to transport myself to a happy place where I can indulge my hopes, beliefs, aspirations and fantasies. It also allows me to live and breathe a topic for eighteen months while I'm researching and writing.
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The reality of the writer's world is that you set yourself up for future disappointment with every success that you deliver because you end up raising your audience's expectations.
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Unlike a typical professional, I can't quit my job to become a full-time author; I don't have that luxury. For me, writing is therapy; if I choose to write full-time, it might start feeling like work.
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My self-publishing adventure led to my work being picked up by a traditional publisher and eventually hitting the bestseller lists. That led to two more bestselling novels.
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'Rozabal' was theological while 'Chanakya' is political. Unlike 'Rozabal,' which was about research, the aim of 'Chanakya' is plot, plot, plot, which carries the character. The common DNA, of course, is history.
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Mythology is like a game of Chinese Whispers. What goes in at one end of the human circle is rarely what emerges at the other end.