Athol Fugard Quotes
Quotes to Explore
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The breaking wave and the muscle as it contracts obey the same law. Delicate line gathers the body's total strength in a bold balance. Shall my soul meet so severe a curve, journeying on its way to form?
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It is of course very difficult to see relations between America and Iran becoming increasingly tense and knowing that it is not the people of the countries but a subset of leaders and radicals that are causing such strife. I am hoping that the spirit of the people will triumph.
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Both chronic, long-term poverty and downward mobility from the middle class are in the same category of things that America likes not to think about.
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My history teacher was utterly terrifying, but her lessons were very inspiring. She got me interested in people and stories, which then led me to acting.
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The penalty may be removed, the crime is eternal.
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One of the things that has been very difficult in Libya is the sense of uncertainty - the sense that they haven't actually finished the revolution, that there was still a great deal of uncertainty. That uncertainty has made Libya harder for business in terms of oil and other things as well.
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If science fiction is the mythology of modern technology, then its myth is tragic.
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Any idea, plan, or purpose may be placed in the mind through repetition of thought.
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I have five horses. My first was a professional jumper named Santos. I got him when I was 18.
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I've been in the room or watched artists walk in who don't write, and you can't figure out what they really want.
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Most of the time I spend when I get up in the morning is trying to figure out what is going to happen.
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Well, I like chocolate stuff; I don't like any of that other gross sugary candy.
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I've been lucky because Hollywood can be harsh and try to pigeonhole you. I've done TV, films, and comedy, done it all... I think I'm spread out evenly among the film community. I've been lucky and keep working with great actors.
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From the beginning of my time as Secretary-General, I have sought to advance a practical, action-oriented vision of the U.N. as the voice of the voiceless and the defender of the defenceless.
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I feel some need to represent where I'm from. But ultimately, I think my only real responsibility is to - as much as possible - interrogate my own truths. This is to say not merely writing what I think is true, but using the writing to turn that alleged truth over and over, to stress-test it, in the aim of producing something readable.
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I have become my own version of an optimist. If I can't make it through one door, I'll go through another door - or I'll make a door. Something terrific will come no matter how dark the present.
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I have a very musical family from my Scottish roots.
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I asked my mother could I have an instrument. She said, 'Well if you go out and save your money.' So I went and got - I made me a shine box. I went out and started shining shoes, and I'd bring whatever I made.
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My kids are the funniest two human beings there are.
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The trouble with deep belief is that it costs something. And there is something inside me, some selfish beast of a subtle thing that doesn't like the truth at all because it carries responsibility, and if I actually believe these things I have to do something about them. It is so, so cumbersome to believe anything. And it isn't cool.
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Social interactions have always been a bit of a difficult thing for me. I think I have a natural tendency to make people not 100 percent super comfortable.
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Everything can be temporary, except us.
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I was the first studio executive to meet with Sean Penn after 'Taps' in 1981. I was anxious to develop things with him when nobody knew who he was.
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Creativity is very selfish. Scandalously so, in fact.
