Athol Fugard Quotes
How thin and insecure is that little beach of white sand we call consciousness. I've always known that in my writing it is the dark troubled sea of which I know nothing, save its presence, that carried me. I've always felt that creating was a fearless and a timid, a despairing and hopeful, launching out into that unknown.
Quotes to Explore
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I don't carry a wallet. I keep my cards in my pocket and cash in my boots.
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The difference between a violin and a viola is that a viola burns longer.
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Some people ask, 'How do you attract the young and so many different people when your poetry is complicated and different?' I say, 'My accomplishment is that my readers trust me and accept my suggestions for change.'
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The best time to expand is when people are asleep at the wheel.
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I'd love to do a movie where I actually get to be kind of quirky and odd and dorky and all that stuff. My parents would like to see some movies where I'm not in peril. They'd appreciate it.
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I'm not religious, I'm not romantic and I live purely by logic. I make every decision by logic and sometimes that leads me to the right and sometimes to the wrong decision.
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I hate recording all the shows for the week in one day, because I want to be able to mention current events and pop culture. If Madonna punches Britney in the face today, I want to reference that on 'Wine Library TV' tomorrow. Monday's episode is always the best, because it's hot off the press.
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Our deals and performance speak for themselves. And whoever doesn't feel comfortable investing with us will not.
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I write and rewrite and rewrite and write and like to turn in what I think is finished work.
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Better than any argument is to rise at dawn and pick dew-wet red berries in a cup.
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I wasn't a very good student in elementary school and had a hard time with reading and writing.
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Working with 50 Cent was great, you know what Im saying? It was just great to work with 50 Cent.
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With brain and body, it's great if you have a connection between the two, but when separated, that leads to a lot of conflict.
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It is not my nature, when I see a people borne down by the weight of their shackles - the oppression of tyranny - to make their life more bitter by heaping upon them greater burdens; but rather would I do all in my power to raise the yoke than to add anything that would tend to crush them.
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I'm just so grateful for the 10 years that I had in Sri Lanka when it was in the middle of a war and I was getting shot at, because now and again I remember glimpses of those times, and I just go, 'Wow, I'll never, ever see that again in my life. And I'm never gonna feel that, and I'm never gonna feel for a human being like that.'
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Some friends are better shots than are casual enemies.
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This country-right-or-wrong business is getting a little out-of-date.. History is moving pretty quickly these days and the heroes and villains keep on changing parts.
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The ideas and practices of Franz Anton Mesmer, an 18th-century Australian healer, had spread to the United States and, by the 1840s, held the country in thrall. Mesmer proposed that everything in the universe, including the human body, was governed by a 'magnetic fluid' that could become imbalanced, causing illness.
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When the weather changes and hurricanes hit, nobody believes that the laws of physics have changed. Similarly, I don't believe that when the stock market goes into terrible gyrations its rules have changed. It's the same stock market with the same mechanisms and the same people.
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Holidays are all different depending on the company and time of your life.
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The WWE Championship is the greatest championship in the history of this sport. It has the most history of anything.
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The incestuous relationship between government and big business thrives in the dark.
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In fact, I was one of the few trusted people that Lucy allowed to play with their kids. I spent time at their summer home, rode horses at their ranch, and swam at their beach house. I even spent a Christmas with them at Palm Springs one year.
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How thin and insecure is that little beach of white sand we call consciousness. I've always known that in my writing it is the dark troubled sea of which I know nothing, save its presence, that carried me. I've always felt that creating was a fearless and a timid, a despairing and hopeful, launching out into that unknown.
